Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
A few detective stories could be classed with our last preceding type
as well as with this. Those like F. R. Burton's suppressed prize
contribution to a Western newspaper might be put under mechanical
inventions; that is, all that contain, like his, a practicable
theory. The report goes that Mr. Burton and a friend worked together
and produced a story of bank robbers who overcame the time-lock
device. So explicitly was the ingenious method written out that the
editors decided not to publish it, convinced that if they spread the
knowledge abroad no time-lock thereafter would be secure. "The Black
Pearl" by Victorien Sardou, on the other hand, might be called a
scientific-discovery detective tale. It perfectly combines the two
elements--mystery and the astounding action of a nature phenomenon.
Not all detective stories, however, are so dangerous or so interesting
as these. Most, rather, are amusing or merely entertaining; but we
class them in the ingenious group because of the effort at pure plot.
There are many crude attempts at writing detective stories, and
the cheap, ten-cent-novel kind disgusts persons of taste; but the
popularity of the type attests its excellence. When in the hands of
such men as Edgar Allan Poe and A. Conan Doyle, it yields an artistic
short-story. "The Purloined Letter" and the "Adventures of Sherlock
Holmes" are worthy of their fame. "The Murders in the Rue Morgue" and
the "Mystery of Marie Rogêt" are not so pleasant, but are equally
ingenious.
Of course, the author of the ordinary tale of this type has the
advantage over the real detective, since the author first creates the
mystery before solving it. His ingenuity, therefore, will lie revealed
in the construction of the crime which he pretends to be unearthing and
explaining. Evidently, though, his process of mind can be no different
from that of the actual analyzer, who must unravel what to him is a
real mystery. He, too, if he is to succeed, must re-image the whole
train of events, not as points or dots, but as vivid scenes. Thus
only will both workers come at small incidents that are original and
ingenious and essentially pertinent. It happened that Poe, in the story
of Marie Rogêt, was acting the part of a real detective, since he was
reasoning upon an actual mystery, the details of which had baffled
the police. In his imaginary case he reinstalled the crime as he felt
it must have taken place, and, strange to say--or rather not strange
to say, for Poe had the qualities of more than a paper detective--the
facts, by a woman's confessions later, were found to be exactly as Poe
had imagined them, even in minor details.
[Other stories of plot]
Public-domain text, read in full here on John Shaqi.
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