Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
General
Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
They did not appear convinced. He almost felt their tattle behind his
back.
Tuesday of the next week, he went to the Goderville market, solely
impelled by the need of recounting his affair.
Malandain, standing in his doorway, began to laugh as he saw him pass.
For what?
He accosted a farmer of Criquetot who did not permit him to finish,
but, landing him a thump in the pit of the stomach, cried in his face,
"Get out, you great rogue!" Then he turned on his heel.
Master Hauchecorne, altogether abashed, grew more and more disturbed.
Why had he been dubbed "a great rogue?"
When seated at table in Jourdain's tavern, he again began to explain
the particulars.
A Montvilliers horse-dealer yelled at him:
"Don't tell me, you old fox! I know your piece of string yarn!"
Hauchecorne stammered, "B--b--but it's found, the pocket-book!"
To which the other retorted:
"That'll do, daddy! There's one who finds, and another who gives up.
Neither is no one the wiser."
The peasant was choked off. At last he understood. They accused him of
having had the pocket-book returned by a crony--by an accomplice.
He tried to protest. The whole table started to laugh.
He could not finish his meal, and took his leave amidst their mocking
and derision.
He returned to his home, ashamed and indignant, stifled with rage, with
confusion; all the more dejected because, with his Norman cunning,
he was capable of having done what they accused him of, and even of
bragging of it as a good trick. His innocence vaguely appeared to him
as impossible to prove; his roguery was too well known. And he felt
struck to the heart by the injustice of the suspicion.
Again he commenced to tell of his adventure; every day its recital
lengthened, each time containing new proofs, more energetic
protestations, and more solemn oaths which he prepared in his solitary
hours. His mind was altogether occupied by the story of the piece
of string. He was believed all the less as his defense grew more
complicated and his arguments more artful.
"Now, those are the proofs of a liar," they said behind his back.
He felt this. It consumed his strength. He exhausted himself in useless
efforts.
He went into a visible decline.
The jokers now made him detail the story of "The Piece of String" to
amuse them, just as you persuade a soldier who has come through a
campaign to tell his version of a battle. At last his mind began to
give way.
Near the end of December he took to his bed.
He died the first week in January, and, in the delirium of the throes
of death he protested his innocence, repeating, "A little piece of
string--little piece of string--see, here it is, your worship."
--Henri René Albert Guy de Maupassant.
"Little Masterpieces of Fiction," Vol. VI (Doubleday, Page & Co.).
=A Social Error=
The little kindergarten teacher turned hastily from the office window.
"Miss Adams," she said abruptly, "I'm worried."
The "Lady Head" looked up from her ledger.
Public-domain text, read in full here on John Shaqi.
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