Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
"And she?" The Lady Head looked toward the Italian girl whose stiletto
she was holding gingerly between her fingers.
"Her?"--the narrator pointed a laconic forefinger. "She's Tony's girl."
When the weeping Caroline had been sent home in her father's carriage,
and when the ambulance had creaked out through the gateway, the Lady
Head turned to her little assistant.
"If there are any fatal results from this--this criminal bit of
negligence," she stated coldly, "I shall hold you personally
responsible. You should have informed me of this long ago. Remember,
you have been here fifteen years!"
--Ida F. Treat.
=The Lot of the Poor=
Two women were walking with rapid but tired steps down one of the most
disreputable streets in the city.
"My," said the tallest one, turning up the collar of her threadbare
coat, "don't this wind make you feel like you was dressed in your
bones?"
The other woman, who was, if possible, more shabby-looking, pushed her
red gloveless hands deeper into her pockets.
"Yes, and I forgot to wear my sables to-day, ain't it too bad?" she
returned in a dreary tone, whose irony was somewhat modified by the
chattering of her teeth.
"Mary Jane, you just quit talkin' like that," burst out the other,
evidently the older of the two. "You didn't never use to be that way
before you commenc't workin' out by the day. Why you was the jolliest
girl in the factory and allays made the best of everything; but now
nothin' is ever good enough for you. Of course none of us would
mind having things a little better, but as far as I can see, things
have allays been this way with us and allays will be, wishin' or no
wishin'."
"I ain't sayin' they won't," Mary Jane said shortly.
"Well, I know it, you ain't sayin' nothin'; that's just the trouble.
I wish you'd tell me what's the matter with you, Mary Jane, 'Tain't
natural for a girl like you to be so dull and sulky."
"'Tain't natural, did you say?" flared up the other. "'Tain't natural
to wonder why the lady you work for wears silks and satins, while your
own clothes are almost too ragged to cover you? Ain't it natural," she
asked with blazing eyes, "to want to tear a few silks off of her back
to cover your own? You ain't never seen nice things near you, Ann.
You've allays worked in the factory; so what do you know about such
things? I tell you, if you worked in one of those palaces on Fifth
Avenue all day and then come back to this at night, you'd see the
difference."
"Don't you s'pose I've seen swell things and people?" remonstrated the
older woman. "I ain't no fool; but I've reasoned out that there's a few
people meant to be rich, and the rest of us ain't, that's all!"
Public-domain text, read in full here on John Shaqi.
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