Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
The nameless horror that oppressed me passed in a moment, for in a
moment I saw that this appearance of a man was a man indeed, and that
there was a little group of other men standing at a short distance to
whom he seemed to be rehearsing the gesture he made. The danger-light
was not yet lighted. Against its shaft a little low hut, entirely new
to me, had been made of some wooden supports and tarpaulin. It looked
no bigger than a bed.
With an irresistible sense that something was wrong--with a flashing
self-reproachful fear that fatal mischief had come of my leaving the
man here and causing no one to be sent to overlook or correct what he
did--I descended the notched path with all the speed I could make.
"What is the matter?" I asked the men.
"Signal-man killed this morning, sir."
"Not the man belonging to that box?"
"Yes, sir."
"Not the man I know?"
"You will recognize him, sir, if you knew him," said the man who spoke
for the others, solemnly uncovering his own head and raising an end of
the tarpaulin, "for his face is quite composed."
"O, how did this happen, how did this happen?" I asked, turning from
one to another as the hut closed in again.
"He was cut down by an engine, sir. No man in England knew his work
better, but somehow he was not clear of the outer rail. It was just at
broad day. He had struck the light and had the lamp in his hand. As
the engine came out of the tunnel his back was towards her and she cut
him down. That man drove her and was showing how it happened. Show the
gentleman, Tom."
The man, who wore a rough dark dress, stepped back to his former place
at the mouth of the tunnel:
"Coming round the curve in the tunnel, sir," he said, "I saw him at
the end, like as if I saw him down a perspective glass. There was no
time to check speed, and I knew him to be very careful. As he didn't
seem to take heed of the whistle, I shut it off when we were running
down upon him and called to him as loud as I could call."
"What did you say?"
"I said, 'Below there! Look out! Look out! For God's sake, clear the
way!"
I started.
"Ah! it was a dreadful time, sir. I never left off calling to him. I
put this arm before my eyes not to see, and I waved this arm to the
last; but it was no use."
Without prolonging the narrative to dwell on any one of its curious
circumstances more than any other, I may, in closing it, point out the
coincidence that the warning of the engine driver included not only the
words which the unfortunate signal-man had repeated to me as haunting
him, but also the words which I myself--not he--had attached, and that
only in my own mind, to the gesticulation he had imitated.
--Charles Dickens.
="Like a Thief in the Night"=
"How many more days of this miserable tramping have we before us,
Ivan?" It was a rough voice that spoke--a voice hardened with
bitterness and hatred.
Public-domain text, read in full here on John Shaqi.
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