Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
He had-no business in my room, of course; but was so deeply absorbed in
his discoveries that he never noticed me in the doorway. I stepped into
the room and startled him nearly into a fit. He sat down on the ground
with a gasp. His eyes opened and his mouth followed suit. I knew what
was coming and fled, followed by a long, dry howl which reached the
servants' quarters far more quickly than any command of mine had ever
done. In ten seconds Imam Din was in the dining-room. Then despairing
sobs arose, and I returned to find Imam Din admonishing the small
sinner, who was using most of his shirt as a handkerchief.
"This boy," said Imam Din, judiciously, "is a _budmash_--a big
_budmash_. He will, without doubt, go to the _jail-khana_ for his
behaviour." Renewed yells from the penitent, and an elaborate apology
to myself from Imam Din.
"Tell the baby," I said, "that the _Sahib_ is not angry and take him
away." Imam Din conveyed my forgiveness to the offender, who had
now gathered all his shirt round his neck, stringwise, and the yell
subsided into a sob. The two set off for the door. "His name," said
Imam Din, as though the name were part of the crime, "is Muhammad Din,
and he is a _budmash_." Freed from present danger, Muhammad Din turned
round in his father's arms and said gravely, "It is true that my name
is Muhammad Din, _Tahib_, but I am not a _budmash_. I am a man!"
From that day dated my acquaintance with Muhammad Din. Never again did
he come into my dining-room; but on the neutral ground of the garden
we greeted each other with much state, though our conversation was
confined to "_Talaam, Tahib_" from his side, and "_Salaam, Muhammad
Din_" from mine. Daily on my return from office the little white
shirt and the fat little body used to rise, from the shade of the
creeper-covered trellis where they had been hid, and daily I checked
my horse there that my salutation might not be slurred over or given
unseemly.
Muhammad Din never had any companions. He used to trot about the
compound, in and out of the castor-oil bushes, on mysterious errands
of his own. One day I stumbled upon some of his handiwork far down
the grounds. He had half buried the polo-ball in dust, and stuck six
shriveled old marigold flowers in a circle round it. Outside that
circle again was a rude square, traced out in its bits of red brick
alternating with fragments of broken china; the whole bounded by a
little bank of dust. The water-man from the well-curb put in a plea for
the small architect, saying that it was only the play of a baby and did
not much disfigure my garden.
Public-domain text, read in full here on John Shaqi.
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