Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
The cool maples rustled temptingly before the open kitchen window, and
seemed to mock the busy worker within. Flies buzzed at the screen,
door, and at intervals found entrance through sundry gaps in the
rusty screening. Inside there was the endless clatter of dishes, the
hissing sound of frying meat, and occasionally a sharp exclamation in a
nervous, high-pitched voice. The owner of the voice, a woman of about
thirty-five, was walking busily around the kitchen. A soiled gingham
apron nearly covered a worn gray skirt, and several large safety-pins
held her waist together over her flat chest. Premature wrinkles
hardened her eyes and mouth. Her hair drawn back over a high, bony
forehead, was twisted into an untidy little knot at the back of her
head. On each of her cheeks, just below the bone, came and went bright
spots of color--the only color about her, for her hair had no glints of
light and her apathetic blue eyes seemed absolutely devoid of luster.
As she hastened back and forth, opening the oven door, setting the
table, inspecting the contents of various kettles steaming on the big
stove, she still found time to throw a glance, now and then, out to
the rickety porch, where a pale-faced little girl sat in an old red
porch-chair. The child's big eyes, startlingly prominent in her wan
face, followed the woman, and, when the latter looked at her, a sudden
smile would curve the straight little lips. But at times she would look
away from the kitchen out beyond to the wheat-fields, gleaming yellow
in the August sun--and still farther to the cool green woods, with the
hard blue sky above them. Then the child would sigh, and her face would
grow wondering and anxious, as she turned back again and smiled at the
woman in the kitchen--a curious, wistful, unchildlike smile. On the
step beside her lay a worn little home-made crutch.
"Here come the men-folks, mother," the child exclaimed suddenly. Her
mother came to the door, and shading her eyes with her apron, peered up
the dusty lane. Then she went back to the house and hurriedly finished
setting the table. The heavy plates and cups were hardly in place on
the red-checked cloth before the men came clattering up the walk and up
the porch. Most of them had a smile for the pale little girl in the
chair, and one had brought her a bunch of red field-poppies, already
half withered, in his big hand. The child took them eagerly, laying
their vivid petals lovingly against her pale cheek. The rest of the men
filed past with a grin or a roughly tender, word--all but the last. He
came up the steps, his forehead wrinkled in a scowl evidently habitual,
his mouth hard, his eyes deep-set and forbidding. He did not even
notice the child, and she shrank back in her chair, her lip trembling,
her eyes wide with fear.
Public-domain text, read in full here on John Shaqi.
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