Types of Prose Narratives: A Text-Book for the Story WriterFansler, Harriott Ely
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Types of Prose Narratives: A Text-Book for the Story Writer
Fansler, Harriott Ely
English prose literature; Storytelling
"No use waitin' here forever," he grumbled. "I'll go to Reynold's an'
get a bite; his wife'll probably have it waitin'." And she saw him turn
to the door along which Meg just came tapping. The child hurried to get
out of his way. Jim slouched heavily through the room, and out of the
house, his big boots creaking as he went.
Jane sat down on the step. Her head ached from the force of the blow.
She felt dazed with the suddenness of everything. Little Meg came and
sat down beside her, patting Jane's rough hand with her soft palm to
attract her attention; then she settled down quietly beside her, her
bright head leaning on her mother's apron. Darkness came, but Jane did
not stir. Meg had gone to sleep.
Suddenly the crutch beside them slipped and rattled against the wall.
Meg woke and cried out with fright. Jane absently took the child in her
arms and tried to soothe her, but Meg was thoroughly frightened and
refused to be comforted. At length she was quiet and Jane carried her
to bed. In a few moments, her baby-fear forgotten, she was again fast
asleep. Jane went over to the window and crouched there, bitterness
in her heart. Over in the west the shadowy outlines of the trees
looked mysterious, aloof, unsympathetic; so did the cold white stars
over them. Sympathy seemed to have gone out of everything in the whole
world. And Jane leaned heavily on the sill and thought.
For a long time she sat there, until she heard Meg stir restlessly on
the bed. Then she rose and looked mechanically towards the Reynolds
house. A bright light burned in a lower room, so she knew that her
husband was still there, talking over the day's affairs with Farmer
Reynolds. Her husband! She felt a sudden shrinking at the mere word.
She decided that she hated him, she knew that she hated him, with
the pent-up hatred of years. And she shuddered when she thought of
to-morrow and the next to-morrow, and all the dull to-morrows that
would have to come--and he must be in them all; that was the thought
which made her sick and faint. She lay down on the bed beside Meg,
merely loosening her waist and uncoiling her hair. Physical weariness
brought a dreamless sleep. She woke with a start, after a sleep
that seemed to have lasted for centuries. There was strange noises
downstairs--gruff, muffled voices, queer shuffling as of heavy boots,
and then a sudden scraping against the outer door. With a quick
unreasoning fear at her heart, Jane flew down the stairs and out into
the kitchen. Some one had lighted the oil lamp there. Her eyes saw at
first only a blurred group before her. Her vision cleared gradually,
until the blur resolved itself into four men, with alarmed, puzzled
faces, who were carrying several boards on which lay something covered
with a big coat. Jane held her breath, while the men looked sheepishly
at one another. Then she ran to the heap, lifted the coat, and looked
down at her husband. His face was hard and set, the jaw projecting; but
Public-domain text, read in full here on John Shaqi.
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