Tyrol (Austria) -- Description and travel; Tyrol (Austria) -- History
As the centuries went by many additions were made to the original
buildings, and the present castle dates in its chief portions from the
last few years of the fifteenth and the first few years of the
sixteenth centuries. These additions were principally the work of
Leonard von Keutschach, Archbishop of Salzburg at the close of the
Middle Ages. He was one of the great "building" archbishops to whose
energies and enterprise the town at various periods owed so much. Of
peasant origin he was not ashamed of his humble birth, and, being
gifted with a sense of humour, chose a turnip as his armorial
bearings. So frequently, indeed, are representations of this vegetable
met with on escutcheons in various parts of the town, that the remark
of one traveller who observed that "the Salzburgers appear to have
sprung out of the earth" may be held excused.
Severe looking as is the fine old fortress (now given over to the uses
of barracks), in whose courtyards princes, archbishops, nobles, and
many famous men of the past centuries have walked, it was, however,
not merely a strong bulwark of defence, truly "ein feste burg"
dominating the town and plain, but also a palace. Although the castle
has been stripped of much of its magnificence there happily still
remain traces of it in the so-called Fürstenzimmer (state apartments),
which formerly occupied by the rulers of the Province were furnished
and decorated with all the splendour which marked the most lavish
period of Renaissance influence. Chief amongst the relics of the
latter are the beautiful and delicately carved panelling, the gilt
work, and the richly carved and moulded ceilings of the principal
apartments. In wandering through these now almost deserted rooms one
is tempted to conjure up the scenes of magnificence they must have
witnessed. Tragedy, comedy, chivalry, hate, joy, sorrow, success, and
failure, all, the often lurid though magnificent gamut of life in the
Middle Ages, must have been welded into the very fabric and atmosphere
of this impressive and deeply interesting building. Among the chief
relics of bygone splendour and pomp of circumstance there remains the
beautiful and it is said unique Majolica stove, a truly wonderful
example of Gothic ceramic art.
Public-domain text, read in full here on John Shaqi.
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