Tyrol (Austria) -- Description and travel; Tyrol (Austria) -- History
On the Residenz-Platz, the centre of which is adorned by a beautiful
fountain nearly fifty feet in height dating from the latter part of
the seventeenth century, consisting of a colossal figure of Atlas
surrounded by equally colossal hippopotami, the work of Anton Dario,
is situated the ancient palace of the Archbishops, formerly known as
the Residenz, now the Imperial Residence. This fine palace which was
erected at various dates from the end of the sixteenth down to the
first two decades of the eighteenth century contains many traces of
the splendour which characterized the larger buildings which were
erected by ecclesiastics at the time the influence of the Renaissance
was at its height. The ceilings and wall of the principal salons and
halls are especially notable, and in some cases are most elaborately
decorated. The Government Offices which are opposite the Residenz
although known as the Neugebäude (possibly because they included the
Post and Telegraph office), in reality date, at any rate in part, from
the reign of Archbishop Wolf Dietrich von Raitenau, although they have
been modernized, altered, and added to from time to time. In the
octagonal tower was placed, in the beginning of the eighteenth
century, a beautiful _carillon_, the work of a watchmaker named Sauter
at the commencement of the seventeenth century, known as the
Glockenspiel, which chimes thrice daily at 7 a.m., 11 a.m., and 6 p.m.
The Archbishops of Salzburg were not only in past ages ecclesiastics
and diplomatists but also sportsmen. Most, indeed, seem to have been
great lovers of horses. Wolf Dietrich von Raitenau, Salzburg, built
some magnificent stables adorned with marble on the slopes of the
Mönchsberg; attached to them were a covered riding school for use in
winter, and another open-air one for summer use. Though the stables
themselves are now barracks, the open-air school is still one of the
sights of the town. In the side of the Mönchsberg were hewn in 1693
three great galleries for the accommodation of spectators of the
sports in the summer riding school; they have long ago been overgrown
with ivy and creepers which add greatly to their picturesqueness, but
are still occasionally used for the purpose for which they were
originally constructed.
In the winter riding school there is an interesting ceiling fresco
depicting a joust or tournament dating from the last decade of the
seventeenth century.
Public-domain text, read in full here on John Shaqi.
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