Tyrol (Austria) -- Description and travel; Tyrol (Austria) -- History
It is almost impossible in Salzburg, especially if one would really
know something of the past life of the principality, and the city, to
follow that excellent rule of avoiding museums. In the Salzburg
Carolino-Augusteum Museum one finds so much that brings vividly before
one other times and other customs. Although started but three-quarters
of a century ago the Museum has already become a repository of the
deepest interest, much frequented by students of all types, the
antiquarian and the man of science. It was due to the initiative of
Vicenza Maria Süss, one of the leading town officials at the period of
its foundation in 1834. The work which he began was well continued and
supplemented by that of Jost Schiffmann, the well-known Swiss painter,
and an enthusiastic committee, largely to whose credit must be placed
the excellent arrangement of the art and other sections of the
collection.
One of the most interesting and unique features of the Museum is the
suite of rooms furnished accurately and entirely in the style of the
sixteenth and seventeenth centuries; of these one of the most charming
is the "Hunting Room" with its fine oak presses, pretty recessed
window, and trophies of the chase. In the Hall of Antiquities are many
interesting relics of the Roman occupation of the country, and also in
the Lapidarium. A most excellent idea took shape in the Hall of
Industry, where are collected together many excellent specimens of
various "masterworks" of iron, woodcarving, etc.
The Music Room contains some of the most valuable musical instruments
of the last three centuries, including spinets, violins, and others,
some of these priceless. In the Armoury are relics of deep interest of
the terrible Peasants' War, including wooden cannon, crude swords
beaten from scythes, executioners' swords, curious and cumbersome
firearms, and some of the lances used by the Landsknechte.
The Costume Room has many attractions for lady visitors, who linger
not only to admire the fashions of the past, but to inspect the
embroideries which came from the industrious and skilful fingers of
past generations of women, "old" with the dignity, grace, and charm
which the "new" woman so sadly lacks.
On the same floor are the interesting Mediæval Kitchen, with its
ancient and carefully kept copper and other utensils glinting at one
from their hooks in the half-gloom of the recesses; the Ladies'
Chamber, with its charming oriel, stained-glass window, colour of life
of the period, and air of repose; the study, to show one the
environment old-time students loved; a fine state-room; and a
beautiful Renaissance Hall.
Public-domain text, read in full here on John Shaqi.
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