To many visitors the Hero Plays, which, for the last fifteen years, have been performed annually, in the spring and generally in the autumn, with scenes from the lives of the famous son of the Passer Valley, Andreas Hofer, and his companions for the chief incidents, will prove of great interest. The plays, which include"Tiroler-helden" and one produced for the first time in August, 1901, entitled "Frederick of the Empty Purse," are acted entirely by peasants. Many are acquainted with the fine dramatic gifts of the Bavarian peasantry which have found expression in the plays at Ober-Ammergau; but those of the Tyrolese are less well-known and less widely recognized. Any one, however, who has seen one of the Meran "Hofer" dramas will probably agree with us that it was well worth seeing, and that the dramatic art displayed was not less praiseworthy than that of the more famous performances at Ober-Ammergau. The plays are given outdoors in a large meadow on a huge stage, and with natural scenery formed by a large chalet (with a bell turret above the central gable) and other smaller buildings on either side, with the hill slopes in the background, the stage being the street in front of the chalet, and the "wings" the side streets. The field is generally--especially for the autumn performances--boarded, and there are a limited number of covered-in boxes facing the stage for the use of those who prefer to be sheltered from the sun, which on fine days is somewhat trying in its intensity, as, of course, no sunshades or umbrellas are permitted. The natural beauties of the valley behind form an appropriate and altogether charming "back-cloth" for the scenery, which represents a portion of a Tyrol village with real buildings. The most popular of the plays with the inhabitants of Meran and the Tyrolese generally are undoubtedly those dealing with the period of national history when their country was engaged in its desperate struggle to free itself from the French and Bavarian invaders. The acting is always excellent, and distinguished by that spontaneity which seems so frequently to characterize outdoor representations. The naturalness which also distinguishes the performances is probably largely attributable to the fact that the actors have most of them been not only well acquainted with the incidents they pourtray since childhood, but are also in the main representing scenes and using language of everyday life; and are not engaged in attempting to interpret scenes and incidents in which they have no personal interest, or of which they have only gained a knowledge by close and tiresome study. [Sidenote: OLD-TIME COSTUMES] To the artist the stage management, which is remarkably good, and the delightful blending of the ancient costumes in charming tableaux and schemes of colour will make a special appeal.