Tyrol (Austria) -- Description and travel; Tyrol (Austria) -- History
The church, which was forthwith commenced, was finished in a couple
of years, but a catastrophe marked its completion. Just as a young man
was about to place the vane in position he was seized with sudden
giddiness, and falling to the ground was dashed to pieces. "His body,"
so a somewhat quaint local version of the story has it, "was gathered
together by the horrified onlookers," and his skull--which can still
be seen--was placed at the foot of the crucifix on the high altar as
an offering. There is a record in the church of the fact that the
Emperor erected the building, and that Pope Benedict VIII., who was a
nominee of his, made the very considerable journey from Rome to
consecrate it. There would, however, notwithstanding this, appear
considerable reason for doubt whether he did.
The image now to be seen only dates from 1491, and there is no record
regarding the disappearance of the original "miraculous" one which it
must have replaced. The interior of this church has suffered both from
neglect and whitewashing at various times. But there are some quaint
and excellent carvings, including a few pew ends, and also some fine
iron work, and the figures adorning the ten columns which surround the
high altar are interesting. It is as one comes into the village that
the prettiest view of the church is obtained.
Rattenberg, which is some five miles distant from Kundl on the main
line and road, is not much visited by tourists, and is chiefly of note
on account of the copper mines, which are still worked. The town is,
however, decidedly picturesque and repays a visit. Scarcely anywhere
in Tyrol in a place of similarly small size does one get such
contrasts in architecture. And, doubtless, for this reason one seldom
fails, during the summer months, to find several artists at work in
the narrow streets. One side of the river is occupied by houses and
buildings of the most solid, gloomy, and altogether unprepossessing
character, whilst on the opposite bank one finds the very antithesis
in the pretty, light-looking dwellings, quaintly painted in delicate
shades of buff, pink, and sky-blue. Beside them and between them are
quaint courtyards and narrow alleys of often an extremely picturesque
character.
[Sidenote: WILHELM BIENER]
Public-domain text, read in full here on John Shaqi.
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