Tyrol (Austria) -- Description and travel; Tyrol (Austria) -- History
An altar-piece, the artist of which was Stötzl, was given by
Maximilian himself. It represented the three patron saints against
sickness: St. Sebastian, who stayed a plague in Rome by his
intercession; St. Martha, who according to tradition founded a
hospital and spent the rest of her life attending to the sick; and St.
Rocchus, who devoted his life and strength to the care of those
suffering from the pestilence.
[Sidenote: THE NEWER TOWN]
Some of the most beautiful roads and modern houses of the newer
Innsbruck, which is increasing in area year by year, lie close at hand
to this votive church, and to the northward, in the part of the town
which is best reached by the Universitats-strasse and Saggengasse,
alongside of which is the vast Exercier Platz, and at the back of that
and nearer the river the beautiful Hofgarten. These never fail to
charm the rambler on the outskirts of the town.
[Sidenote: MUSEUM TREASURES]
But there yet remain many other interesting objects, which the lover
of Innsbruck and the visitor who stays for any considerable period of
time are sure to gradually discover and enjoy. One of these is the
National Museum, known as the Ferdinandeum, in which are gathered
together objects, pictures, and relics forming, so it is claimed for
them, an almost complete historical record of Tyrol, its people and
its products.
The Museum, which is the resort of students from all parts of Europe,
and is for even the casual visitor an object of the greatest interest,
bears the name of its founder and patron Ferdinand I. Originally
intended to illustrate in a vivid and practical way the history and
national customs of the country in the various domains of art,
science, and industry, the collections have gradually been enlarged
and expanded so as to contain examples of art by members of well known
foreign schools. The present museum is a comparatively modern
building, with a façade in the Italian Renaissance style. The ground
floor was commenced in 1842, and the upper story added in 1886.
On the ground floor are some most interesting archæological remains,
including several ancient Roman milestones from the Brenner road and
elsewhere; burial urns from Matrei; bronze statuettes of Roman days
from Brixen and Innicherberg; many ornaments of the Roman period from
Meran, Moritzing, Zedlach and other places. From Salurn, in the valley
of the Eisack, there are some Roman tombs, with the ornaments of the
dead, and household and toilet utensils and articles of great value
and interest. One of the most important objects in the archæological
section of the Museum is the sarcophagus, arms and ornaments of a
Lombardian prince disinterred at Civezzano, near Trent. The coffin was
richly ornamented by gold bands, and in it was found a gold cross.
Public-domain text, read in full here on John Shaqi.
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