Uarda : a Romance of Ancient Egypt — CompleteEbers, Georg
History
Uarda : a Romance of Ancient Egypt — Complete
Ebers, Georg
Egypt -- History -- To 332 B.C. -- Fiction; German fiction -- Translations into English
“Pentaur shall be questioned this very night,” returned the high-priest.
“The dishes will soon be taken away, and the drinking will begin. Let us
go and hear what the poet says.”
“But there are now no witnesses,” replied Ani.
“We do not need them,” said Ameni. “He is incapable of a lie.”
“Let us go then,” said the Regent smiling, “for I am really curious
about this white negro, and how he will come to terms with the truth.
You have forgotten that there is a woman in the case.”
“That there always is!” answered Ameni; he called Gagabu to him, gave
him his seat, begged him to keep up the flow of cheerful conversation,
to encourage the guests to drink, and to interrupt all talk of the king,
the state, or the war.
“You know,” he concluded, “that we are not by ourselves this evening.
Wine has, before this, betrayed everything! Remember this--the mother of
foresight looks backwards!”
Ani clapped his hand on the old man’s shoulder. “There will be a space
cleared to-night in your winelofts. It is said of you that you cannot
bear to see either a full glass or an empty one; to-night give your
aversion to both free play. And when you think it is the right moment,
give a sign to my steward, who is sitting there in the corner. He has a
few jars of the best liquor from Byblos, that he brought over with
him, and he will bring it to you. I will come in again and bid you
good-night.” Ameni was accustomed to leave the hall at the beginning of
the drinking.
When the door was closed behind him and his companion, when fresh
rose-garlands had been brought for the necks of the company, when lotus
blossoms decorated their heads, and the beakers were refilled, a choir
of musicians came in, who played on harps, lutes, flutes, and small
drums. The conductor beat the time by clapping his hands, and when the
music had raised the spirits of the drinkers, they seconded his efforts
by rhythmical clippings. The jolly old Gagabu kept up his character as a
stout drinker, and leader of the feast.
The most priestly countenances soon beamed with cheerfulness, and the
officers and courtiers outdid each other in audacious jokes. Then the
old man signed to a young temple-servant, who wore a costly wreath; he
came forward with a small gilt image of a mummy, carried it round the
circle and cried:
“Look at this, be merry and drink so long as you are on earth, for soon
you must be like this.”
[A custom mentioned by Herodotus. Lucian saw such an image brought
in at a feast. The Greeks adopted the idea, but beautified it,
using a winged Genius of death instead of a mummy. The Romans also
had their “larva.”]
Gagabu gave another signal, and the Regent’s steward brought in the wine
from Byblos. Ani was much lauded for the wonderful choiceness of the
liquor.
“Such wine,” exclaimed the usually grave chief of the pastophori, “is
like soap.”
Public-domain text, read in full here on John Shaqi.
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