The history of almost a thousand years of Ukrainian Literature begins at the time of the fullest development of the Kiev Empire, when the so-called Chronicle of Nestor originated, the Galician-Volhynian Chronicle, the powerful Epic of Igor and other important monuments of Ukrainian Literature (the works of Ilarion, Serapion, Kirilo Turivsky, etc.). Their language is built up upon the Church-Slavonic dialect, but presents great linguistic departures, as early as the 11th Century, from the literary works simultaneously produced in the Russian territory to the north. This promising beginning of the old Ukrainian Literature was almost completely crushed by five centuries of Tatar barbarism. The continuous state of war, the loss of their independent political organization, the crushing foreign yoke, permitted only a weak vegetating of Ukrainian Literature for five centuries. Legal, theological, philosophical and polemic literary monuments and the beginnings of the drama, written in a Macaronic language made up of a mixture of Ukrainian and Church-Slavonic, can at the most be considered proof that the educated Ukrainians of that time had too little leisure and opportunity to devote themselves to artistic literature. But these times of decline of the written literature are at once the times of the greatest flourishing of the unwritten literature of the people. The old pre-christian religious and secular songs and tales were not forgotten, and the active, warlike life of the nation created an immense mass of epic folk-lore dumy, which was sung by by wandering minstrels (kobzar, bandurist). Toward the end of the 18th Century, when the political and national destruction of the Ukrainian nation seemed inevitable, the Ukrainian popular literature reached such a high stage of development that it awoke the educated classes of the nation to new literary life. Through the introduction of the pure popular speech [175]into Ukrainian Literature (by Kotlarevsky, in 1798), and thru the great influence of the popular literature, the foundation was laid for an unanticipated rise of Ukrainian Literature. In the course of the 19th Century the history of Ukrainian Literature has a number of great poets and prose writers to show, who would be a credit even to the greatest literatures of the world (Shevchenko, Vovchok, Kulish, Fedkovich, Franko, Mirni, Kotsiubinsky, Vinnichenko and others), as well as a considerable number of lesser poets. Great versatility characterizes the works of Ukrainian Literature in the 19th Century, and in the 20th Century its development in all directions is making giant strides. The second half of the 19th Century was also marked by a very active study of the sciences, leading to the founding of two learned bodies very much along the plan of the so-called “Academies” (in Lemberg and Kiev). In every branch of human knowledge the Ukrainians can already point to publications, books and dissertations in their own language.