"What did you mean then, for if words to you bear a different interpretation from what they do to me, I must trouble you to speak in _my_ language when addressing me," angrily retorted a young girl, with what nature had intended to be a very pretty face with a charming expression, but which at the present moment was far from deserving the latter part of the description. Eyes flashing, cheeks burning and hands clenched in the excess of her indignation, stood Helen Beaumont by the window of her pretty little sitting-room, or "studio" as she loved to call it, presenting a striking contrast to the peaceful scene without; where a carefully tended garden still looked bright with the remaining flowers of late September. Her companion, standing in the attitude invariably assumed now-a-days by novelists' heroes, namely, leaning against the mantelpiece, was a young man of equally prepossessing appearance with her own. At first glance no one would have suspected him of sharing any of the young lady's excitement, for his expression was so calm as almost to merit the description of sleepy. Looking more closely, however, the signs of some unusual disturbance or annoyance were to be descried, for his face was slightly flushed and his blue eyes had lost the look of sweet temper evidently their ordinary expression. "What I meant to say, Helen, was not, as you choose to misinterpret it, that I blame you for proper womanly courage and spirit, than which, I consider few things more admirable, nor as you are well aware do I admire the sweetly silly and affectedly timid order of young ladies. But this I do mean and repeat, that I think your persistence in this foolish scheme a piece of sheer bravado and foolhardiness, totally unworthy of any sensible person's approval, and what is more----"