Fantasy fiction, English; Paranormal fiction, English
The morning broke clear and fresh; and, as Helen had said, things in
general bore a very different aspect to that of the night before.
Indoors, the quaint old house now looked simply picturesque, and Mrs.
Jones the _beau idéal_ of a cheery old hostess. Even the face of the
clock, when Helen pointed it out to Edith, seemed to have lost its
mocking grin, and to be merely bidding them good-morning, with a comical
smile at the consternation it had awakened the night before.
Out-of-doors they soon turned their steps. There was no view from the
house, but a short voyage of discovery quickly explained to them their
locality. Black Nest Farm stood at the foot of a hill close on to the
high road, or what passed for such in that hitherto little frequented
neighbourhood. On the opposite side of the road but little was to be
seen, as the meadows were soon lost in a thick belt of wood; but
immediately behind the house was a tempting prospect, for there a little
winding path led up the hill to one of the spots Helen and Edith most
ardently desired to paint, and of which their friends had given them a
glowing description. It was rather a long walk to the Black Lake, Mrs.
Jones informed them, but their enthusiasm knew no bounds, and hardly
permitted them to do justice to their breakfast of ham and eggs,
home-made bread and home-churned butter. See them then starting on their
expedition,--their painting materials, and some creature comforts in the
shape of sandwiches and hard-boiled eggs, safely packed on the pony's
back, Griffith leading him and acting as guide. A pretty stiff pull it
was, enthusiasm notwithstanding, and rather hard work for the little
feet, sensibly shod in good strong boots it is true, but unaccustomed
nevertheless to mountain scrambling. But at last their circuitous path
brought them to the summit, and there a curious prospect broke upon
them. They stood at the edge of the great Welsh tableland. There it
stretched away before them, miles and miles beyond their view; a vast
expanse of wild, brown moor, unrelieved by tree or shrub, but here and
there dotted by great patches of what Edith at first sight took to be
"lovely emerald moss". Treacherous loveliness, for it told, as they
learnt from Griffith, of fearful bog-pits, down whose slimy sides once
slipped no man or beast could ever regain firm ground.
"What a horrible death that would be," said Helen, shuddering, "far
worse than regular drowning in clean water. It would be slow suffocation
in nasty, dirty mud."
Public-domain text, read in full here on John Shaqi.
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