Uncle Sam's Boys in the Philippines; or, Following the Flag against the MorosHancock, H. Irving (Harrie Irving)
General
Uncle Sam's Boys in the Philippines; or, Following the Flag against the Moros
Hancock, H. Irving (Harrie Irving)
Philippines -- Juvenile fiction; United States. Army -- Fiction
"We've had the bit of a nap," replied Kelly.
An hour later Lieutenant Prescott again approached Sergeant Hal.
"Count off your twenty men, Sergeant. Line 'em up for instruction. I'm
going to send you over yonder, now, to make that scouting
reconnaissance. Don't fall into any traps, Sergeant."
Hal quickly detailed his men, ordering them to fall in.
"Why am I not picked, Sarge?" whispered Kelly.
"Man, you've done enough."
Lieutenant Prescott's instructions were few, though to the point.
Then, in line of skirmishers, Sergeant Hal Overton ordered his men
forward. Over the trench they went, then advanced steadily toward the
woods from which had come the rush of the night before.
Those left behind watched anxiously. Would the issue mean another savage
fight--or what?
CHAPTER XVI
DATTO HAKKUT MAKES A NEW MOVE
To the civilian mind, being sent forward purposely to draw the enemy's
fire, looks like "ticklish" business.
Yet it is better to risk a few men rather than sacrifice many. It is on
the same principle that a "point" of several men is always sent in
advance of the larger body when moving supposedly in the face of the
enemy. The "point" often draws disastrous fire upon itself, but the
larger body of troops is saved from catastrophe.
The soldier accepts calmly this work of going out ahead to draw a
possible enemy's fire. It's "all in the game," as he understands it.
Of course, when troops are sent out only for the purpose of drawing
fire, these troops withdraw, if necessary, as soon as they attract the
enemy's fire to themselves, and thus locate the enemy.
Sergeant Hal Overton kept at the right of his thin, sparse line of men
as they moved forward.
Every man had his eyes ahead; each was watching for the first sign of
trouble.
When the line had reached a plane within a hundred yards of the edge of
the woods the soldiers expected, momentarily, to hear the signal shot,
then the first scattering shots, followed by the heavy, crashing
volleys.
Yet they passed this point safely and went on. The edge of the woods was
gained, still without provoking hostile shots. It would have looked to
one untrained in the art of war as though there were no enemy there. But
this handful of soldiers knew better than to jump at any such
conclusion. The Moros, like the Tagalos and Pampangos, are fond of
getting an enemy at close quarters, and then leaping on him with cold
steel. The Tagalo or Pampango fights with the bolo, the Moro often with
the creese, and with all these brown-skinned men the game is the
same--to leap up unexpectedly, from the tall grass, before the soldier
has had time to throw himself on his guard.
A swift, short-armed cutting movement--a mere slash, delivered with
muscular effort, and the soldier is gashed across the abdomen. After
this cutting has been effectively delivered the white fighting man
usually sinks down in a pool of his own blood, and his fighting days are
likely to be over.
Public-domain text, read in full here on John Shaqi.
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