'Mary Quince!--she has follow us to France,' said Madame, making what in
Ireland they call a bull.
'They are not sure where they will go or what will do for day or two more.
I will go and get breakfast. Adieu for a moment.'
Madame was out of the door as she said this, and I thought I heard the key
turn in the lock.
CHAPTER LXII
_A WELL-KNOWN FACE LOOKS IN_
You who have never experienced it can have no idea how angry and frightened
you become under the sinister insult of being locked into a room, as on
trying the door I found I was.
The key was in the lock; I could see it through the hole. I called after
Madame, I shook at the solid oak-door, beat upon it with my hands, kicked
it--but all to no purpose.
I rushed into the next room, forgetting--if indeed I had observed it, that
there was no door from it upon the gallery. I turned round in an angry and
dismayed perplexity, and, like prisoners in romances, examined the windows.
I was shocked and affrighted on discovering in reality what they
occasionally find--a series of iron bars crossing the window! They were
firmly secured in the oak woodwork of the window-frame, and each window
was, besides, so compactly screwed down that it could not open. This
bedroom was converted into a prison. A momentary hope flashed on
me--perhaps all the windows were secured alike! But it was no such thing:
these gaol-like precautions were confined to the windows to which I had
access.
For a few minutes I felt quite distracted; but I bethought me that I must
now, if ever, control my terrors and exert whatever faculties I possessed.
I stood upon a chair and examined the oak-work. I thought I detected marks
of new chiselling here and there. The screws, too, looked new; and they
and the scars on the woodwork were freshly smeared over with some coloured
stuff by way of disguise.
While I was making these observations, I heard the key stealthily stirred.
I suspect that Madame wished to surprise me. Her approaching step, indeed,
was seldom audible; she had the soft tread of the feline tribe.
I was standing in the centre of the room confronting her when she entered.
'Why did you lock the door, Madame?' I demanded.
She slipped in suddenly with an insidious smirk, and locked the door
hastily.
'Hish!' whispered Madame, raising her broad palm; and then screwing in her
cheeks, she made an ogle over her shoulder in the direction of the passage.
'Hish! be quiate, cheaile, weel you, and I weel tale you everything
presently.'
She paused, with her ear laid to the door.
'Now I can speak, ma chère; I weel tale a you there is bailiff in the
house, two, three, four soche impertinent fallows! They have another as bad
as themselve to make a leest of the furniture: we most keep them out of
these rooms, dear Maud.'
'You left the key in the door on the outside,' I retorted; 'that was not to
keep them out, but me in, Madame.'
Public-domain text, read in full here on John Shaqi.
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