Uncle Terry: A Story of the Maine CoastMunn, Charles Clark
General
Uncle Terry: A Story of the Maine Coast
Munn, Charles Clark
Maine -- Fiction
"It's no use, Bert," he said to his friend one evening, "I wanted your
sister to go to Maine with us, and mother and the girls and a few more
to make a party, but it's no go. I can't induce your sister to join us,
and it's no use if she would, for mother has determined to go to
Bethlehem, and that settles it. I feel like going out and getting full.
If you and I have any outing on the yacht, we must make up a gander
party."
"That suits me just as well as, and in fact better than, the other
plan," replied Albert consolingly. "If we have a lot of ladies along we
must dance attendance upon them, and if not we can fish, smoke, play
cards, sing, or go to sleep when we feel like it. I tell you, Frank," he
continued, evidently desiring to cheer up that young man, "girls are all
right as companions at home or at balls and theatres, but on a yacht
they are in the way. Not only are they liable to seasickness, but at
every bit of rough water they will get scared and make no end of
trouble."
It was very good philosophy and to a certain extent true, although it
did not agree with Frank's feelings, but then it must be remembered that
he was suffering from the pangs of love, while his mentor was not.
A week afterward, and early one bright morning, the "Gypsy," with
skipper, crew, and a party of eight jolly young men on board, sailed out
of Boston and that night dropped anchor under the lee of an island in
Casco Bay. She remained there one full day and the next ran to Boothbay
and found shelter in a landlocked cove forming part of the coast line of
Southport Island. It was after dinner next day, and while the rest of
the party were either playing cards or napping in hammocks under the
awning, that Albert Page took one of the boats, his pipe, and sketch
book, and rowed down the coast a mile to an inlet he had noticed the day
before. The outer point of this was formed by a bold cliff that he
desired to sketch, and pulling the boat well up behind the inner point,
tying the painter to a rock and taking the cushions along, he found a
shady spot and sat down. The sloping rock he selected for a seat was a
little damp, but he thought nothing of it, and lighting his pipe began
sketching. He worked for an hour, putting the weed-draped rocks and long
swells that broke over them into his book, and then, lulled perhaps by
the monotonous rhythm of the ocean, lay back on the cushions and fell
asleep. The next he knew he was awakened by a cold sensation and found
the tide had risen until it wet his feet. Hastily getting up, he took
the cushions and returned to where he had left the boat, only to find it
had disappeared. The rising tide had lifted the boat and painter from
the rocks, and it was nowhere to be seen.
Public-domain text, read in full here on John Shaqi.
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