Uncle William: The Man Who Was Shif'lessLee, Jennette
General
Uncle William: The Man Who Was Shif'less
Lee, Jennette
Fiction
Andy looked up mildly. “I reckon Harr’et’s waitin’ for me.” He got
slowly to his feet. “You’ve got another done, I s’pose?” He glanced
enviously at the easel.
The artist laughed out. “Want to see it?” He withdrew his hand.
Andy shambled across. He looked down at it casually. A sheepish grin
crept into this face, and spread. “You’ve made me look kind o’ queer,
hain’t you?” He gazed, fascinated, at his tragic face.
Uncle William came over and bent to the canvas. He drew out his
spectacles and peered at it, almost rubbing the paint with his great
nose. “It’s Andy!” he said with shrewd delight. “It’s Andy! And it’s the
spittin’ image of him!” He pushed up the glasses, beaming upon Andrew.
Andrew returned the look somberly. “It’s a good likeness, you think, do
you?”
“Fust-rate, Andy, fust-rate; couldn’t be better.” Uncle William laid an
affectionate hand on his shoulder. “It looks jest as mean as you do--and
jest as good, too, Andy.”
Andy cast a glance at the young man. “How long was ye makin’ it?”
“Half an hour, perhaps; while we’ve been sitting here.”
Andy sighed heavily. “Wuth more’n I be, too, I reckon?”
The artist stared at him.
“I mean--” Andy was almost apologetic. “I know they come high--picters.
I don’t suppose I could afford to buy it of ye--”
The artist’s face lighted. “Do you want it?”
“Harr’et might,”--cautiously,--“if ’t wa’n’t too high. She’s got an
easel for it. She al’ays cal’ated to have me done, and she’d got as fur
as the easel.” His eye returned almost wistfully to the canvas. “Willum
says it’s a good likeness.” He spoke with a kind of dubious pride.
“It _is_ good.” The young man’s eye rested on it affectionately. “It’s a
ripping good sketch--and you may have it and welcome.”
Andy drew back a step. “You mean--”
“I’ll give it to you, yes.” The artist was holding it out laughingly.
“And some day you’ll sit for me again. That’ll be pay enough.”
Andy rubbed his hands carefully on the sides of his trousers. He reached
them out for the canvas. “It’s kind o’ wet,” he said. “I’ll have to hold
it keerful.” He took it in both hands, beaming upon it with a kind of
somber joy. Carrying it at arm’s-length, he bore it away over the rocks.
The artist watched the stern, angular figure loom against the sky and
dip down over the cliff out of sight.
“I shall do a sketch of him some day that will make us famous,” he said
quietly.
“It’s time for dinner,” responded Uncle William.
XXIV
Uncle William set the table, with one eye on the harbor. As he pottered
about with the bread and cheese and salmon, a smile widened his round
face.
The artist looked up from the brushes he was cleaning at the door. “You
look as happy as if you’d had a fortune left you,” he said.
“Well, I’m considabul contented. I gen’ally am, ain’t I?” he added
quickly.
“So-so,” admitted the young man. “You’re shiftless, that’s what’s the
matter with you.”
Public-domain text, read in full here on John Shaqi.
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