Uncle William: The Man Who Was Shif'lessLee, Jennette
General
Uncle William: The Man Who Was Shif'less
Lee, Jennette
Fiction
Uncle William gave his long, low chuckle. “I guess I be,” he said
softly. “I guess I be. But I do take a sight o’ comfort.”
The young man finished the brushes and brought them in, standing them up
in a quart cup. “Dinner ready?” he asked.
“I reckon it is.” Uncle William scowled at the lavish table. “‘Pears to
me there’s suthin’ I’ve forgot. Oh, pickles!” He said it triumphantly.
“If you wouldn’t mind takin’ that plate, Mr. Woodworth, and goin’ down
cellar?”
“All right.” The young man took the plate and disappeared down the
ladder that served as a stairway to the tiny hole beneath.
Uncle William looked cautiously at the trap-door. Then he tiptoed to the
window. He drew the glass from his pocket and pointed it at the harbor.
The boat had come to anchor just off the island. Uncle William fixed her
with his glass. “Uh-huh, jest as I thought,” he said softly.
A step sounded on the ladder and he shut the glass, thrusting it into
his pocket and turning a bland, innocent face upon the room. “Does beat
all how good pickles be with fish. Set ’em right there, Mr. Woodworth.
Now we’re ready.”
Uncle William’s chair faced the window, and as he ate his eye dropped,
now and then, to the bay below. Once it lighted with a swift gleam and
he craned his neck a little.
“What is it?” asked the artist, half turning.
“Nuthin’,” said Uncle William, hastily, “nuthin’. ’T ain’t wuth turnin’
your head for. I’m al’ays seein’ things. Get up in the night, like
enough, and wander round the island, jest to see ’em. Go all over the
island some nights. You see a good deal that way--fust and last: little
critturs runnin’ round, softlike, and the moon and stars--” Uncle
William was talking against time. His eye had lost interest in the
bay. It seemed to be fixed on the moon and stars. One ear was turned
expectantly toward the door.
The artist watched him with an amused smile. He never interrupted one of
Uncle William’s monologues.
“I’ve spent a good deal o’ my life,” went on Uncle William, “lookin’
round at things.”
The gravel crunched outside.
The artist started.
Uncle William turned a little. “Andy, like enough,” he said. He rose and
went leisurely toward the door.
The figure of a tall man stood in it, surveying the room.
Uncle William’s smile broke into radiance. It crinkled his eyes and nose
and mouth. “I said ’t was you.” He held out a big hand, and drew the man
into the room, peering behind him. A little look of disappointment came
over his face. “You all alone?” he demanded.
“I am at present,” said the man, smiling. “I left a friend on the beach
below. I wasn’t sure how I should find you.” His courteous glance took
in the young man.
Uncle William turned quickly. “It’s Mr. Curie,” he said, “the one that
bought your picters. And he’s left somebody--a friend--down below. Mebbe
you wouldn’t mind stepping down and fetchin’ ’em up.”
Public-domain text, read in full here on John Shaqi.
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