The honour accorded to the dog is no new thing. It has for centuries
rewarded his valour and fidelity. Responsibilities, duties,
compensations--these have always been his portion. Sirius shines in
the heavens, and Cerberus guards in hell. The dog, Katmir, who watched
over the Seven Sleepers for three hundred and nine years, gained
Paradise for his pains, as well he might. Even the ill-fated hounds of
Actæon, condemned to kill their more ill-fated master, are in some sort
immortal, inasmuch as we may know, if we choose, the names of every
one of them. Through the long pages of legend and romance the figure
of the dog is clearly outlined; and when history begins with man’s
struggle for existence, the dog may be found his ally and confederate.
It was a strange fatality which impelled this animal to abandon
communal life and the companionship of his kind for the restraints,
the safety, the infinite weariness of domesticity. It was an amazing
tractableness which caused him to accept a set of principles foreign to
his nature--the integrity of work, the honourableness of servitude, the
artificial values of civilization.
As a consequence of this extraordinary change of base, we have grown
accustomed to judge the dog by human standards. In fact, there are
no other standards which apply to him. The good dog, like the good
man, is the dog which has duties to perform, and which performs them
faithfully. The bad dog, like the bad man, is the dog which is idle,
ill-tempered and over-indulged by women. Women are responsible for most
of the dog-failures, as well as for many of the man-failures of the
world. So long as they content themselves with toy beasts, this does
not much matter; but a real dog, beloved and therefore pampered by his
mistress, is a lamentable spectacle. He suffers from fatty degeneration
of his moral being.
What if the shepherd dog fares hardly, and if exposure stiffens his
limbs! He has at least lived, and played his part in life. Nothing more
beautiful or more poignant has ever been written about any animal than
James Hogg’s description of his old collie which could no longer gather
in the sheep, and with which he was compelled to part, because--poor
Ettrick shepherd--he could not afford to pay the tax on two dogs. The
decrepit beast refused to be separated from the flocks which had been
his care and pride. Day after day he hobbled along, watching the new
collie bustling about his work, and--too wise to interfere--looking
with reproachful eyes at the master who had so reluctantly discarded
him.
Public-domain text, read in full here on John Shaqi.
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