"You're a scholar, I see," he said, good-humouredly, as they strolled
leisurely towards the little town in which he had told John Stretton
that he was staying; "or else you would not bring Horace out with you
into the fields on a sunshiny day like this. I have forgotten almost all
my classical lore. To tell the truth, Mr. Stretton, I never found it
very much good to me; but I suppose all boys have got to have a certain
amount of it drilled into them----?" He stopped short in an interrogative
manner.
"I suppose so," said Stretton, without a smile. His eyes were bent on
the ground; there was a joyless contraction of his delicate, dark brows.
It was with an evident effort that he suddenly looked up and spoke. "I
have an interest in such subjects. I am trying to find pupils
myself--or, at least, I hope to find some when I return to England in a
week or two. I think," he added with a half-laugh, "that I am a pretty
good classic--good enough, at least, to teach small boys!"
"I dare say, I dare say," said Mr. Heron, hastily. He looked as if he
would like to put another question or two, then turned away, muttered
something inaudible, and started off upon a totally different subject,
about which he laid down the law with unaccustomed volubility and
decision. Stretton listened, assented now and then, but took care to say
little in reply. A sudden turn in the road brought them close to a fine,
old building, grey with age, but stately still, at the sight of which
Mr. Heron became silent and slackened his pace.
"A magnificent old place," said Stretton, looking up at it as his
companion paused before the gateway.
"Picturesque, but not very waterproof," said Mr. Heron, with a dismal
air of conviction. "It is what they call the Villa Venturi. There are
some charming bits of colour about it, but I am not sure that it is the
best possible residence."
"You are residing here?"
"For the present--yes. You must come in and see the banqueting-hall and
the terrace; you must, indeed. My wife will be delighted to thank you
herself--for the rescue of the umbrella!" and Mr. Heron laughed quietly
below his breath. "Yes, yes"--as Stretton showed symptoms of
refusing--"I can take no denial. After your long, hot walk with me, you
must come in and rest, if it is but for half-an-hour. You do not know
what pleasure it gives me to have a chat with some one like yourself,
who can properly appreciate the influence of the Renaissance upon
Italian art."
Stretton yielded rather than listen to any more of such gross and open
flattery. He followed Mr. Heron under the gateway into a paved
courtyard, flanked on three sides by out-buildings and a clock tower,
and on the fourth by the house itself. Mr. Heron led the way through
some dark, cool passages, expatiating as he went upon the architecture
of the building; finally they entered a small but pleasant little room,
where he offered his guest a seat, and ordered refreshments to be set
before him.
Public-domain text, read in full here on John Shaqi.
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