Under Fire: A Tale of New England Village LifeMunsey, Frank Andrew
General
Under Fire: A Tale of New England Village Life
Munsey, Frank Andrew
New England -- Fiction; Villages -- Fiction
"They are long iron frames about seven feet long, half an inch thick,
and just wide enough to take in two teasels, one on top of the other so
as to make two rows of them the whole length of the handle."
"And this iron frame filled with teasels is called a 'handle'?"
"Yes."
"But what are teasels?"
"They are the burrs of a plant something like a thistle. They are about
the size of a small egg, only not quite so large around, and they do not
taper so much, though one end is a little larger than the other. They
have sharp points, sort of like hooks, which all turn down toward the
stem, so you can run your hand over them one way and the points won't
hurt; but if you pull your hand back they dig right to the flesh."
"Oh, I know now, I saw a lot of them up stairs the other day and
wondered for what they were used here. Seems to me they are queer
things to use on cloth. Wouldn't something like a card with iron tacks
be better, and last longer?"
"No, I guess not. Probably anything like that would tear the cloth, and
I believe all of the mills use teasels. You see they would use what is
best."
"Yes, I suppose so," added Fred thoughtfully; "but tell me about the gig
and how they use this little prickly thing."
"Well, as I said, these frames filled with teasels are called handles,
and as the gig cylinders are covered all over with handles, it makes
kind of a solid bed of teasels. The cylinder whirls one way, and the
cloth, which is drawn close against it, goes the other."
"I should think the sharp points would dig into the cloth, and tear it
the same as wire points would."
"You see the gig is going so fast they don't get hold much, and then
they are not strong enough to tear it at once, but will wear it out
rather fast if too much pressure is put upon it. Those gigs out there
don't hurt it much, though, for they use old handles and the teasels are
broken down a good deal."
"Where are they used first, if they are old?"
"Up stairs on the dry gigs."
"What! Is it gigged up there, too?"
"Oh, yes; on two different gigs. Haven't you seen the great square iron
framed machines with two cylinders and two men tending them?"
"No, I think not. I don't believe I have been into that room yet."
"Well, the cloth is gigged there on the big machines the first thing
after it leaves the fulling mills and washers."
"How long do they run it up there?"
"They run it quite a while in all the different processes it goes
through. After it is gigged the first time then it is cropped."
"Cropped, you say?" exclaimed Fred, laughing. "Well, you have me again,
for I am sure I don't know what that means."
"Why, it means sheared--cutting off the nap which the teasels dig
up--only they don't call it 'sheared' the first two times."
"How many times is it sheared, I wonder!"
Public-domain text, read in full here on John Shaqi.
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