There are trees here; a row of excoriated willow trunks, some of wide countenance, and others hollowed and yawning, like coffins on end. The scene through which we are struggling is rent and convulsed, with hills and chasms, and with such somber swellings as if all the clouds of storm had rolled down here. Above the tortured earth, this stampeded file of trunks stands forth against a striped brown sky, milky in places and obscurely sparkling--a sky of agate. Across the entry to Trench 97 a felled oak twists his great body, and a corpse stops up the trench. Its head and legs are buried in the ground. The dirty water that trickles in the trench has covered it with a sandy glaze, and through the moist deposit the chest and belly bulge forth, clad in a shirt. We stride over the frigid remains, slimy and pale, that suggest the belly of a stranded crocodile; and it is difficult to do so, by reason of the soft and slippery ground. We have to plunge our hands up to the wrists in the mud of the wall. At this moment an infernal whistle falls on us and we bend like bushes. The shell bursts in the air in front of us, deafening and blinding, and buries us under a horribly sibilant mountain of dark smoke. A climbing soldier has churned the air with his arms and disappeared, hurled into some hole. Shouts have gone up and fallen again like rubbish. While we are looking, through the great black veil that the wind tears from the ground and dismisses into the sky, at the bearers who are putting down a stretcher, running to the place of the explosion and picking up something inert--I recall the unforgettable scene when my brother-in-arms, Poterloo, whose heart was so full of hope, vanished with his arms outstretched in the flame of a shell. We arrive at last on the summit, which is marked as with a signal by a wounded and frightful man. He is upright in the wind, shaken but upright, enrooted there. In his uplifted and wind-tossed cape we see a yelling and convulsive face. We pass by him, and he is like a sort of screaming tree. * * * * * We have arrived at our old first line, the one from which we set off for the attack. We sit down on a firing-step with our backs to the holes cut for our exodus at the last minute by the sappers. Euterpe, the cyclist, passes and gives us good-day. Then he turns in his tracks and draws from the cuff of his coat-sleeve an envelope, whose protruding edge had conferred a white stripe on him. "It's you, isn't it," he says to me, "that takes Biquet's letters that's dead?"--"Yes."--"Here's a returned one; the address has hopped it."