EVENING is falling upon the trench. All through the day it has been
drawing near, invisible as fate, and now it encroaches on the banks of
the long ditches like the lips of a wound infinitely great.
We have talked, eaten, slept, and written in the bottom of the trench
since the morning. Now that evening is here, an eddying springs up in
the boundless crevice; it stirs and unifies the torpid disorder of the
scattered men. It is the hour when we arise and work.
Volpatte and Tirette approach each other. "Another day gone by, another
like the rest of 'em," says Volpatte, looking at the darkening sky.
"You're off it; our day isn't finished," replies Tirette, whose long
experience of calamity has taught him that one must not jump to
conclusions, where we are, even in regard to the modest future of a
commonplace evening that has already begun.
"Allons! Muster!" We join up with the laggard inattention of custom.
With himself each man brings his rifle, his pouches of cartridges, his
water-bottle, and a pouch that contains a lump of bread. Volpatte is
still eating, with protruding and palpitating cheek. Paradis, with
purple nose and chattering teeth, growls. Fouillade trails his rifle
along like a broom. Marthereau looks at a mournful handkerchief,
rumpled and stiff, and puts it back in his pocket. A cold drizzle is
falling, and everybody shivers.
Down yonder we hear a droning chant--"Two shovels, one pick, two
shovels, one pick----" The file trickles along to the tool-store,
stagnates at the door, and departs, bristling with implements.
"Everybody here? Gee up!" says the sergeant. Downward and rolling, we
go forward. We know not where we go. We know nothing, except that the
night and the earth are blending in the same abyss.
As we emerge into the nude twilight from the trench, we see it already
black as the crater of a dead volcano. Great gray clouds,
storm-charged, hang from the sky. The plain, too, is gray in the pallid
light; the grass is muddy, and all slashed with water. The things which
here and there seem only distorted limbs are denuded trees. We cannot
see far around us in the damp reek; besides, we only look downwards at
the mud in which we slide--"Porridge!"
Going across country we knead and pound a sticky paste which spreads
out and flows back from every step--"Chocolate cream--coffee creams!"
On the stony parts, the wiped-out ruins of roads that have become
barren as the fields, the marching troop breaks through a layer of
slime into a flinty conglomerate that grates and gives way under our
iron-shod soles--"Seems as if we were walking on buttered toast!"
On the slope of a knoll sometimes, the mud is black and thick and
deep-rutted, like that which forms around the horse-ponds in villages,
and in these ruts there are lakes and puddles and ponds, whose edges
seem to be in rags.
Public-domain text, read in full here on John Shaqi.
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