Labri is not happy. The soldier to whom he is entrusted is hard on him,
and usually ill-treats him--when he takes any notice of him at all. The
animal is tied up all day. He is cold and ill and left to himself. He
only exists. From time to time, when there is movement going on around
him, he has hopes of going out, rises and stretches himself, and
bestirs his tail to incipient demonstration. But he is disillusioned,
and lies down again, gazing past his nearly full mess-tin.
He is weary, and disgusted with life. Even if he has escaped the bullet
or bomb to which he is as much exposed as we, he will end by dying
here. Fouillade puts his thin hand on the dog's head, and it gazes at
him again. Their two glances are alike--the only difference is that one
comes from above and the other from below.
Fouillade sits down also--the worse for him!--in a corner, his hands
covered by the folds of his greatcoat, his long legs doubled up like a
folding bed. He is dreaming, his eyes closed under their bluish lids;
there is something that he sees again. It is one of those moments when
the country from which he is divided assumes in the distance the charms
of reality--the perfumes and colors of l'Herault, the streets of Cette.
He sees so plainly and so near that he hears the noise of the shallops
in the Canal du Midi, and the unloading at the docks; and their call to
him is distinctly clear.
Above the road where the scent of thyme and immortelles is so strong
that it is almost a taste in the mouth, in the heart of the sunshine
whose winging shafts stir the air into a warmed and scented breeze, on
Mont St. Clair, blossoms and flourishes the home of his folks. Up
there, one can see with the same glance where the Lake of Thau, which
is green like glass, joins hands with the Mediterranean Sea, which is
azure; and sometimes one can make out as well, in the depths of the
indigo sky, the carven phantoms of the Pyrenees.
There was he born, there he grew up, happy and free. There he played,
on the golden or ruddy ground; played--even--at soldiers. The eager joy
of wielding a wooden saber flushed the cheeks now sunken and seamed. He
opens his eyes, looks about him, shakes his head, and falls upon regret
for the days when glory and war to him were pure, lofty, and sunny
things.
The man puts his hand over his eyes, to retain the vision within.
Nowadays, it is different.
It was up there in the same place, later, that he came to know
Clemence. She was just passing, the first time, sumptuous with
sunshine, and so fair that the loose sheaf of straw she carried in her
arms seemed to him nut-brown by contrast. The second time, she had a
friend with her, and they both stopped to watch him. He heard them
whispering, and turned towards them. Seeing themselves discovered, the
two young women made off, with a sibilance of skirts, and giggles like
the cry of a partridge.
Public-domain text, read in full here on John Shaqi.
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