"That was between me an' Conniston. There ain't goin' to be no makin'
fun an' fool remarks about it. He done it square, an' I'm glad he done
it! If there's any other man here as thinks he can do it I'll take him
on right now!"
Again he paused abruptly, again he studied the grave faces and
speculative eyes intent upon his own. No man spoke. And Conniston
noticed that no man smiled.
"All right," grunted Brayley. "That ends it. Cookie, for the love of
Mike, are you goin' to keep us waitin' all night for them spuds?"
The meal passed with no further reference, open or covert, to the
thing which was uppermost in the minds of all. Many a curious glance,
however, went to where Conniston sat. He was conscious of them even
when he did not see them, understood that a new appraisal of him was
being made swiftly, that his fellow-workers were carefully readjusting
their first conceptions and judgments of him.
When he had finished eating, Conniston went straight to his bunk. He
had no desire for conversation; he did want both rest and a chance to
think. He was straightening out his tumbled covers when Lonesome Pete
tapped him upon the shoulder.
"No hay for yours, Con," he grinned. "Not yet. Miss Argyl wants you to
come up to the house. Right away, she said, as soon as you'd et. She
said special she was in a hurry, an' you wasn't to waste time puttin'
on your glad rags."
Why did Argyl want him--to-night? He put his fingers to his cheek
where Brayley's fist had cut into the flesh. How could he go to her
like this? He was on the verge of telling Lonesome Pete that he could
not go, of framing some excuse, any excuse. But instead he closed his
lips without speaking, picked up his hat and went straight toward the
house.
She was waiting for him at the little summer-house upon the front
lawn. He saw the white of her lacy gown, the flash of her arms as he
came nearer, her outstretched hand as he came to her side. With his
hat caught under his right arm he put out his left hand to take hers.
"You were good to come so soon," she was saying.
"It was good to come," he rejoined, warmly. "You know how glad I am
for every opportunity I have to see you."
"What is the matter with your hand?" she asked, quickly. "Your right
hand?"
"I hurt it," he answered, easily. "Nothing serious. It will be well in
a day or two."
"How did you hurt it?" she persisted.
"Really, Miss Crawford," he retorted, trying to laugh away the
seriousness of her tone, "there are so many ways for a man to damage
his epidermis in this sort of work--"
She was standing close to him, looking intently up into his face
through the gathering darkness.
"Tell me--why did you do it?"
"What? Smash my fingers?"
"Yes. In the way you did!"
"What do you mean?" he hesitated, wondering what she knew.
"On Brayley's face! Why did you fight with him?"
"Who told you?"
Public-domain text, read in full here on John Shaqi.
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