With an expression of surprise and curiosity on her face she opened
the envelope and took out the enclosure. It proved to be the
undomiciled, undated, unsigned lines running as follows:--
'I am in great distress. I fear your avoidance of me since morning has
been the result of some foolish things I said to you about what you
thought of me. You must not mind me. You must attach no meaning or
importance to these most random wicked words of mine. You know I am an
inveterate talker. If my talk of to-day has made any bad impression, I
beg of you, for God's sake, to give me a chance of removing it! There
is no woman on earth I respect more than you; no woman on earth whose
good opinion is essential to me but yours, for I love you! I implore
you to give me a chance, just one, of redeeming my stupid blunder. If
you do not give me this one chance, I do not know what will become of
me. Forget my flippant manner. I am as terribly in earnest now as ever
man was. You will answer this. I cannot look at you again until I know
I am forgiven. Will you write as soon as you can to me, care of Messrs
Stainsforth & Co., Bankers, Lombard Street? I shall tell the housemaid
here, as though from you, that if any letters come for you this
evening they are to be brought to your room, so you may be saved the
inconvenience of reading this in the presence of anyone.'
That night George Osborne once more found himself too excited for
sleep. The day had been thick with incidents, full of conflicting
emotions. The anxious morning, the solemn betrothal, the peace
following it, the sharp shock of meeting Parkinson once more, the
introduction to that man by his sweetheart, the strange feeling of
reassurance and peace which had come upon him during the early part of
his visit to Parkinson's house, the subsequent despair, followed by
the cry that went up from him when he heard the plea for mercy sung by
that superb voice, and the later discovery that this voice was
Marie's--all crowded into one day, had left him nervous and tremulous
and wakeful.
He walked heavily to the window, drew back the curtains, raised up the
blind, and looked out.
Beneath him lay miles of dark roofs lit by the broad full moon.
Fantastic gables and weird-looking vanes broke up the dull monotony of
the view. Here and there deep chasms of shadow stretched right and
left, leading to large pools of intense darkness where the streets
broadened into squares. High above the plain of roofs and gables and
vanes, like fair white spars, rose the steeples and towers and spires
of a thousand churches.
Public-domain text, read in full here on John Shaqi.
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