With a weary, vacant smile he held out his hand to Kate.
'I am very tired, Kate, very tired, and am going to bed. Say
good-night to Marie for me.'
He drew back into the passage, and closed the door.
Marie turned pale. Furtive eyes now sought her. The men looked at her
with anger against him in their eyes. In the glances of the women was
pity. Plainly all was over between her and him. Well, who could expect
any good to come out of such an engagement? No one but a fool. Fancy
people meeting in a common boarding-house, falling in love, and
getting engaged! Why, if such things were to happen and turn out well
there would be no protection to society, and domestic life would have
to be abandoned; and then things would be in a nice state.
The minds of the men took another direction. What had he been doing?
He looked as if he had been on a fearful spree. But how could a man
bengaged to that glorious girl go on a spree? And besides, Osborne was
as steady as a rock. No; it couldn't be a spree. What, then, had cut
him up so dreadfully? He looked all right yesterday, or nearly so. No
matter how wild a man had been for one day, he would not be so cut up.
Evidently something was wrong between this incomparable girl and him.
What could it be? Had he been suddenly seized with illness, or were
there traces of insanity in his family? A man must be mad to quarrel
with such loveliness.
'What's the matter, Kate?' whispered Marie, as soon as the former had
returned to her old place close to the couch.
'I don't know, dear. He looks awful, and says he's tired. What can it
be? There is no quarrel?'
'No. Nor do I know any reason why he should not speak to me.'
'He told me to say good-night to you for him, and that he was very
tired.'
'What! Very tired! Was George too tired to cross this little room to
say good-night to me? Oh, Kate, there is something wrong, something
wrong! Did he say anything about Mr Nevill?'
'No; not a word. I have told you all he said. I never saw George in
such a way before.'
The two girls rose soon after, and went to their rooms.
When George Osborne closed the drawing-room door he walked slowly
upstairs. He undressed, and went to bed. He was completely worn out,
and fell into a profound sleep.
He awoke. What, dark still!
'Who's there?'
'I.'
'Oh, Nevill, is that you? What o'clock is it?'
'You have had a long sleep. It is five o'clock in the afternoon.'
'Five o'clock in the afternoon! What is the matter? Have I been ill? I
forget. Nevill, tell me, have I been ill? Where is Kate?'
'Kate is downstairs. You have not been ill. You know you had a long
walk and great anxiety yesterday. Would you like a light?'
'I remember all now. No, I don't want a light. We can talk in the
dark.'
'How do you feel to-day? Shall I tell them to bring you something to
eat?'
'No, thank you. I shall get up presently. I am not hungry. Have you
seen Marie to-day?'
Public-domain text, read in full here on John Shaqi.
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