Staggering up, I looked around me. The moon was shining, and flakes of
her silver light streamed through the now silent embrasures of the
Redan, silent save for the groans of the dying within it. There and in
the ditch the dead lay thick as sheaves in a harvest-field--thick as
the Greeks, at Troy, lay under the arrows of Apollo. How many a man
was lying there, mutilated almost out of the semblance of humanity,
whose thoughts, when the death shot struck him down, or the sharp
bayonet pierced him, had flashed _home_, quicker than the electric
telegraph, yea, quicker than light, to his parents' hearth, to his
lonely wife, to the little cots where their children lay abed--little
ones, the memory of whose waxen faces and pink hands then filled his
heart with tears; how many a resolution for prayer and repentance if
spared by God; how many a pious invocation; how many a fierce
resolution to meet the worst, and die like a man and a soldier, had
gone up from that hell upon earth, the Redan--the fatal Redan, which
we should never have attacked, but should have aided the French in the
capture of the Malakoff, after which it must inevitably have fallen
soon, if not at once.
Many of our officers were afterwards found therein, each with a hand
clutching a dead Russian's throat, or coat, or belt, their fingers
stiffened in death--man grasping man in a fierce and last embrace.
Among others, that stately and handsome fellow, Raymond Mostyn, of the
Rifles, and an officer of the Vladimir regiment were thus locked
together, the same grape-shot having killed them both. Some of our
slain soldiers were yet actually clinging to the parapet and slope of
the glacis, as if still alive, thus showing the reluctance with which
they had retired--the desperation with which they died. In every
imaginable position of agony, of distortion, and bloody mutilation
they lay, heads crushed and faces battered, eyes starting from their
sockets, and swollen tongues protruding; and on that terrible scene
the pale moon, "sweet regent of the sky," the innocent queen of night,
as another poet calls her, looked softly down in her glory, as the
same moon in England, far away, was looking on the stubble-fields
whence the golden grain had been gathered, on peaceful homesteads, old
church steeples and quiet cottage roofs, on the ruddy furnaces of the
Black country, on peace and plenty, and where war was unknown, save by
name.
She glinted on broken and abandoned weapons; she silvered the upturned
faces of the dead--kissing them, as it were, for many a loving one who
should see them no more; and gemming as if with diamonds the dewy
grass and the autumnal wild-flowers; and there, too, amid that
horrible débris, were the little birds--the goldfinch, the tit, and
the sparrow--hopping and twittering about, too terrified to seek their
nests, scared as they were by the uproar of the day that was past.
Public-domain text, read in full here on John Shaqi.
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