American fiction -- 19th century; California -- Social life and customs -- Fiction; San Francisco (Calif.) -- Fiction; Short stories
His room was in a new building on one of the larger and busier
thoroughfares. The lower floor was occupied by a bank, but as it was
closed before he came home, and not yet opened when he left, it did not
disturb his domestic sensibilities. The same may be said of the next
floor, which was devoted to stockbrokers' and companies offices, and was
equally tomb-like and silent when he passed; the floor above that was a
desert of empty rooms, which echoed to his footsteps night and morning,
with here and there an oasis in the green sign of a mining secretary's
office, with, however, the desolating announcement that it would only
be “open for transfers from two to four on Saturdays.” The top floor
had been frankly abandoned in an unfinished state by the builder, whose
ambition had “o'erleaped itself” in that sanguine era of the city's
growth. There was a smell of plaster and the first coat of paint about
it still, but the whole front of the building was occupied by a long
room with odd “bull's-eye” windows looking out through the heavy
ornamentations of the cornice over the adjacent roofs.
It had been originally intended for a club-room, but after the ill
fortune which attended the letting of the floor below, and possibly
because the earthquake-fearing San Franciscans had their doubts of
successful hilarity at the top of so tall a building, it remained
unfinished, with the two smaller rooms at its side. Its incomplete and
lonely grandeur had once struck the editor during a visit of inspection,
and the landlord, whom he knew, had offered to make it habitable for him
at a nominal rent. It had a lavatory with a marble basin and a tap of
cold water. The offer was a novel one, but he accepted it, and fitted up
the apartment with some cheap second-hand furniture, quite inconsistent
with the carved mantels and decorations, and made a fair sitting-room
and bedroom of it. Here, on a Sunday, when its stillness was
intensified, and even a passing footstep on the pavement fifty feet
below was quite startling, he would sit and work by one of the quaint
open windows. In the rainy season, through the filmed panes he sometimes
caught a glimpse of the distant, white-capped bay, but never of the
street below him.
The lights were out, but, groping his way up to the first landing, he
took from a cup-boarded niche in the wall his candlestick and matches
and continued the ascent to his room. The humble candlelight flickered
on the ostentatious gold letters displayed on the ground-glass doors
of opulent companies which he knew were famous, and rooms where
millionaires met in secret conclave, but the contrast awakened only his
sense of humor. Yet he was always relieved after he had reached his own
floor. Possibly its incompleteness and inchoate condition made it seem
less lonely than the desolation of the finished and furnished rooms
below, and it was only this recollection of past human occupancy that
was depressing.
Public-domain text, read in full here on John Shaqi.
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