United States -- Social life and customs -- 19th century -- Fiction
He began at once; he gave the discomfited directors no chance to
forestall him. He taxed them roundly with their delays, their
double-dealings, their invertebrate wabblings. They had blown hot and
cold. They had played fast and loose. He and his friends had worked, had
thought, had studied, had invented, had torn their very brains from their
heads; and what had they to show for it? Nothing; nothing at all. On the
contrary----
"Get out of here," said Andrew P. Hill sternly. "This is a business
meeting."
"Business meeting!" cried Little O'Grady scornfully. "What do any of you
know about business, I'd like to ask? Nobody who wanted to do business by
business methods would come here to do it, I'm thinking! No, sir; he'd go
to _our_ shop, where we do as we say we will, and do it up sharp and
ship-shape, no matter how unreasonable the demands of the
shilly-shallying old grannies we have to deal with. Business! You don't
bluff me!"
"Take care, young man," said Hill, "or----"
"Or nothing!" cried Little O'Grady undaunted. "And now, for a finisher,
you offer us a competition. You wind us, and then ask us to run against a
fresh batch that haven't even left the stable! After we've pulled our
brains out of our heads strand by strand, you'd have us stuff them back
and pull them out all over again, would you? Nobody but a man with
cotton-batting _for_ brains could ask a thing like that!"
"Brains!" said Dowd contemptuously. He had always looked upon himself as
a lofty intellectual force. In his view there was no great play for
intellect outside of finance and law.
Little O'Grady pounced upon this insolence at once. "There's not one of
you here, I'll venture, that has had an idea in the last twenty years.
You just sit beside your little old machine and turn the crank--why, the
crank almost turns itself. We, on the other hand, live on our ideas. We
keep alive on our own brains and hearts and blood and emotions----"
"Emotions!" said Dowd, carelessly crumpling up a paper and throwing it
into the waste-basket. He himself had not had an emotion--foolish,
superfluous things--in his life. Little O'Grady looked at his nose. It
was the sharpest of the lot.
"Get out of here, young man," said Simon Rosenberg. "This is no place for
you."
O'Grady passed over Rosenberg's nose in contempt.
"We turn in scheme after scheme," he pursued;--"schemes to be welcomed
and appreciated anywhere--but here. And what is your own? All you can
think of is a mongrel heap of cabins and spires and chimneys and shacks
that would set a tombstone to grinning. What chance is there for art in
such a hotch-potch as that? What could a self-respecting----"
Up rose Andrew P. Hill. He expressed all his nervous dread, his vexation,
his irritability by one tremendous whack of his fist on the table.
"To hell with art!" he said. "What I wanted to do was to advertise my
business."
Public-domain text, read in full here on John Shaqi.
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