United States -- Social life and customs -- 19th century -- Fiction
Eudoxia Pence looked at the new picture too, comparing its spirit and
quality with a number she had recently added to her own gallery. She also
attempted a word with her host about the thwarted pageantry at the
Grindstone, but Roscoe Orlando put off her just as he had put off Dill.
"Very well, sir," said Eudoxia firmly, within herself; "if I can't speak
here, then I will speak elsewhere. If not to you, then to others. Have
eyes and ears if you will for that poor little vulgarian alone; all the
same, I shall know how to make my point."
Preciosa was in full feather and in high colour; she seemed like a
sumptuous pocket-edition of some work bound more richly, perhaps, than it
deserved to be. She was in yellow tulle, and her mother had clapped an
immense bunch of red roses upon the child's corsage and had crowded
innumerable rings upon her plump little fingers. Her chestnut hair fell
in careless affluence round her neck and blew breezily about her temples,
and a bright spot in each cheek gave her even more than her wonted
colour. Robin Morrell, who was, of course, to take her out to dinner,
seized upon her at the very start. It was as if he had wrenched a peach
from the tree and had hastily set his greedy teeth in it--one almost saw
the juices running down his chin. Yet his satisfaction was not without
its drawbacks; the peach seemed a clingstone, after all; and there was a
bitter tang to its skin. Preciosa's eyes blazed as well as her cheeks,
but not, as some thought, from exhilaration or from gratified vanity;
rather from protestant indignation and a full determination not to be
moved. Virgilia, from her place, saw how Euphrosyne McNulty constantly
watched the child on one side and how Roscoe Orlando Gibbons as
constantly watched her on the other; and when Dill asked her, "What does
it mean?" she replied: "Leave it to me; this is nothing that a mere man
can hope to master. I shall know all about it before I quit this house."
Public-domain text, read in full here on John Shaqi.
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