United States -- Social life and customs -- 19th century -- Fiction
"Of course not," quickly replied the other. "Make it a private,
individual matter. Get some ideas from her, and then go ahead alone."
Jared picked up a few elementary facts about colours, canvas, and
composition in the art atmosphere of the Seminary, and then set to work
by himself. "Something sizable and simple, to start with," he said.
Autumn was over the land; nothing seemed more sizable, more simple, more
accessible, than the winter squash. "Some of 'em do grapes and peaches,"
he observed, in reminiscence of the display of the Circuit at the fair,
"but round here it's mostly corn and squashes. I guess I'll stick to the
facts--that is, to the verities," he amended, in accord with the art
jargon whose virus had begun to inoculate the town.
He elected the squash. And he never went far beyond it. But the squash
sufficed. It led him on to fame (fame of a certain curious kind) and to
fortune (at least a fortune far beyond any ever reached by his associates
on the farm).
III
Yes, Jared kept to the squash, and made it famous; and in due course the
squash made him famous. He came to be known all over Ringgold County, and
even beyond, as the "squash man." He painted this rotund and noble
product of the truck-farm in varying aspects and with varying
accessories. Sometimes he posed it, gallantly cleft asunder, on the
corner of the bran-bin, with its umber and chrome standing out boldly
against a background of murky bitumen; and sometimes he placed it on the
threshold of the barn door, with a rake or a pitchfork alongside, and
other squashes (none too certain in their perspective) looming up from
the dusky interior.
Jared mastered the squash with all the ease of true genius. He painted
industriously throughout the early winter. He had saved two or three of
his best models from the fall crop, and they served him for several
months. Squashes keep. Their expression alters but slowly. This one fact
alone makes them easier to paint than many other things--the human
countenance, for example. By the end of January Jared was emboldened to
exhibit one of his squashes at a church sociable.
"Well, Jared," said the minister's wife, "you _be_ a genius. I don't know
that I ever see anything more natural." Other ladies were equally
generous in their praise. Jared felt that at last he had found his
life-work. Henceforward it was to be onward and upward indeed.
The men were more reserved; they did not know what to make of him. But
none of them openly called him a fool--a sort of negative praise not
without its value. Nor was this forbearance misplaced--as was seen when,
along in March, Jared's father ended his fifty unprofitable years of farm
routine by dying suddenly and leaving things more or less at loose ends.
Farming was not his forte--perhaps it is nobody's. He had never been able
to make it pay, and he had gone in seeming willingness to shuffle off the
general unsatisfactoriness of it all on to other shoulders.
Public-domain text, read in full here on John Shaqi.
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