United States -- Social life and customs -- 19th century -- Fiction
"The Rev. William S. Gow----" repeated Jared. The title-page of _Onward
and Upward_ flashed suddenly before his eyes. The man to whom he owed his
earliest quickening impulse, the man whose book had shone before his
vision like a first light in a great darkness, stood there almost within
reach of his grateful hand. He stepped forward to introduce himself and
to voice his obligations.
But Dr. Gowdy, with what, to a disinterested spectator, would have seemed
a final gesture of utter rejection and condemnation, turned on his heel
and stalked down a long corridor, with his country members (who were
prepared to like the Squash, but now no longer dared) pattering and
shuffling behind.
"Of all the false and mistaken things! Of all the odious daubs!" purled
Dr. Gowdy to his cowed and abashed following. For Dr. Gowdy, town-bred
and town-born, had no sympathy for ill-considered rusticity, and was too
rigorous a purist to give any quarter to such a discordant mingling of
the simulated and the real.
"I've never seen anything worse," he continued, as he swept his party on;
"unless it's that." He pointed to another painting past which they were
moving--a den of lions behind real bars. "That's the final depth," he
said.
The country parsons, left to themselves, would have admired the ingenuity
of this zoological presentation, but Dr. Gowdy's intimidating strictures
froze their appreciation. They pattered and shuffled along all the
faster.
Meanwhile Jared, proud to have awakened the interest of the "Rev. Gowdy"
(as the reading of the Ringgold County _Gazette_ had taught him to
express it), was busy whirling the leaves of the hotel's directory to
learn the good man's address.
VII
Before Jared could catch up with the Doctor a new tidal wave broke upon
the town and slopped through the corridors of the hotels. The provincials
(both clerical and lay) were enticed to the metropolis by a "Trade
Carnival." The Squash met them everywhere. Here, in the midst of the
city's strange and shifting life, was something simple, tangible,
familiar, appealing. Jared had had the happy thought to mount one or two
of his best pieces on easels fitted out with a receptacle for holding a
real squash. "Which is which?" cried the dear people, delightedly. The
country merchants expressed their appreciation to the commercial
travellers, and these factors in modern life, whose business it was to
know what the "public wanted" and to act accordingly, passed on the word
(casually, perhaps) to the heads of the great mercantile houses. In this
way the eminent firm of Meyer, Van Horn, and Co. became conscious of the
Squash.
Public-domain text, read in full here on John Shaqi.
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