United States -- Social life and customs -- 19th century -- Fiction
Eudoxia peered about among the tapestries and the sombre old furniture.
"Yes, there she is over in the corner with Preciosa McNulty." Then she
looked back toward Dill and sighed lightly. "I wonder how this thing is
coming out? I wonder how I want it to come out? And I wonder how much
responsibility I must really bear for the way it _does_ come out?"
III
She handed back her cup to Dill. "What are those two girls giggling
about?" she asked him.
Dill snatched a moment from his cares as host. Little had he expected to
hear Virgilia Jeffreys taxed with giggling.
Yet giggling she was,--with some emphasis and spirit too. She seemed to
have slipped back from sedate and dignified young womanhood to mere
flippant girlishness and not to have gained appreciably by the
transition. Preciosa McNulty, still a girl and giving no immediate
promise of developing into anything more, shared with her the
over-cushioned disorder of the Persian canopy and giggled too.
Preciosa could laugh and chatter easily, volubly, spontaneously--all
this, as yet, was the natural utterance of her being. But Virgilia was
keeping pace with her, was even surpassing her. Yet she showed evidences
of effort, of self-consciousness, of serious intention; now and then the
_arriere pensee_ disclosed its puckered front.
This, and nothing but this, could excuse Virgilia to-day. For she was too
old to giggle, far too learned, much too sober-minded. Dill himself felt
this, and shook his head in reply to Eudoxia Pence's question, as he
stepped away for a moment to accompany a pair of gracious amateurs to the
door.
A little figure that was passing rapidly along the corridor stopped on
seeing the door ajar and waved a long supple hand and wagged a frizzly
flaxen poll and gave a humorous wink out of his gray-green eyes and
called unabashedly, before he resumed his skurrying flight:
"I've got 'em on the run, Daff; I've got 'em on the run!"
"Oh, that little O'Grady!" sighed Dill genteelly; "he is impossible; he
will end with disgracing us. What can the fellow be up to now?" he
wondered, closing the door, and preparing to return to his study of
Virgilia Jeffreys.
"Your poor grandfather!--can't I fancy him!" Virgilia was saying to
Preciosa. She gave a light dab at the other's muff with her long slender
hand. "Dear, puzzled old soul!"--and she crinkled up her narrow green
eyes.
"Can't you?" Preciosa laughed back. "'I don't know anything about such
things,' grandpa insisted. 'Go and see Mr. Hill, young man, or Mr.
Gibbons.' But the young man kept unrolling sheet after sheet. 'Grandpa,'
I said, 'we shall miss the whole of the first act.' Then the young man
_had_ to go. He didn't want to, but he had to."
"The 'young man'!" laughed Virgilia, dandling a cushion. "Didn't he have
any name?"
"Some queer one: Ig--Ig----I don't remember."
"Nor any address?"
"Some far-away street you never heard of."
Public-domain text, read in full here on John Shaqi.
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