United States -- Social life and customs -- 19th century -- Fiction
Eudoxia Pence fumbled her boa. "Does Virgilia really want him? Does he
want Virgilia? Do I want them to have each other? Shall I exert myself in
his behalf?" Such were the questions she submitted to her own
consideration as her eyes roved over the chatting, sipping throng. "Can
he do for her all that a girl in her position would expect? Could such a
fastidious, exacting young woman hope to find anybody she would like
better--or as well?" Eudoxia had three or four swift successive visions
of herself in a variety of circumstances and pleading or discouraging a
variety of causes. Now, for example, she was saying to Virgilia, "Yes,
he's a very nice fellow, I know; but he has only his wits and his brush,
while you must always live as you always have lived--a rich girl to whom
nothing has been denied." Again, she saw herself bent over the desk of
Andrew P. Hill, with her forty-five shares clutched in her resolute hand,
and saying, "I demand to be heard; I demand to have a voice in this
momentous matter; I demand a fair and even chance for my
nephew-in-law-to-be." Once more, she was wringing her hands and asking
Virgilia in tones of piteous protest, "Why, oh why, didn't you take
Richard Morrell when you could have got him?--a fine, promising, pushing
fellow, with his million or more already, and barely thirty-five, just
the right age for you!" Yet again, she was saying to that poor little
vulgarian, Preciosa McNulty, "If Virgilia will, she will, and there's an
end of it; therefore should you, dear child, promise me to use your
influence with that loutish old peasant of a grandfather, you shall have
the beatitude of actually pouring tea at one of my Thursday afternoons,
and I'll even invite your mother to my next large reception----"
Eudoxia paused, struck suddenly by the earnest scrutiny of both
Daffingdon and Virgilia. She saw that she had tied her boa into a double
knot, and surmised that she had been doing the same with her features
too.
V
By this time every "art circle" in the city knew from its centre to its
circumference that the Grindstone National Bank was moving toward the
elaborate decoration of its new building and that the board of directors
was thinking of devoting some twenty thousand dollars or more to this
purpose. The Temple of Art took on its reception smile; the Rabbit-Hutch
began a nervous rummaging for ideas among cobwebs and dusty portfolios
and forgotten canvases; decorators of drawing-rooms and libraries put on
their thinking-caps and stood up their little lightning-rods; and one or
two of the professors at the Art Academy began to overhaul their
mythology and to sketch out broad but hazy schemes for a succession of
thumping big masterpieces, and to wonder whether the directors would call
on them or whether they should be summoned to meet the directors.
"Gee!" said Little O'Grady (whose _forte_ was reliefs in plastina), as he
hopped around Dill's studio on one leg; "but ain't it a godsend for us!"
Public-domain text, read in full here on John Shaqi.
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