United States -- Social life and customs -- 19th century -- Fiction
Dill passed out into the cool starry night to recover his breath and to
regain his composure. It was as if he had struggled through a whirlpool
or had wrenched himself away from the downpour of a cataract. Virgilia's
interest, her enthusiasm, her co-operation had reared itself above him
and toppled over on him just like a high, ponderous wall; the bricks
bruised him, the dust of scattered mortar filled his lungs and his eyes.
"Such a mind!" he thought; "such readiness; such a fund of information!"
Never before had anybody offered so panting, so militant a participation
in his doings. He doubted too whether Virgilia could ever have felt so
extreme an interest in the doings of any other man whomsoever. Certainly
it was a fair surmise that Richard Morrell, during the formative period
of the Pin-and-Needle Combine, had never so succeeded in enlisting her
sympathy and support,--otherwise she would not have turned him off in the
summary fashion that had kept society smiling and gossiping for a
fortnight.
As Daffingdon walked thoughtfully down the quiet street a deep sense of
gratitude stirred within him--he felt himself prompted to the most
chivalrous of acknowledgments. He saw himself taking her hand--with such
deliberation as to preclude any shock of surprise, and looking into her
eyes as ardently and earnestly as good taste would permit; and heard
himself saying, in a voice as tremulous with passion as the voice of a
well-bred gentleman could be allowed to become, such things as should
make quite unmistakable his appreciation of her qualities both as an
amateur and a woman. Certainly if this great undertaking went through he
should be able to say all that was in him and to maintain it to the last
word. She had turned a deaf ear to others, but there was reason to think
she might listen to him.
Then all at once the magnitude of the scheme rose before him; such a vast
expenditure of time on books of plates in libraries--and weeks and months
to be devoted to sketches, to compositions, to colour-schemes of this
sort and that; such a tremendous outlay for models, for costumes, for
multifarious accessories! But as Daffingdon gradually pulled himself
together, a comforting little sense of flattery came to soothe his
bruises and to clear his eyes. Yes, she believed in him. This brilliant
and learned young woman had impetuously placed her boundless stores of
erudition at his disposal; she had loaded the work of twenty men on his
shoulders and was confidently expecting him to carry off the whole vast
undertaking with jaunty ease. He must not fail. Fortunately, she was
willing to admit the co-operation of a few of his brother artists.
Public-domain text, read in full here on John Shaqi.
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