Under the Trees and ElsewhereMabie, Hamilton Wright
History
Under the Trees and Elsewhere
Mabie, Hamilton Wright
Essays; Natural history -- Outdoor books
In such a mood our quest began and ended. We skirted the beach; we
plunged deep into the recesses of the woods; we stretched ourselves on
the broad expanse of greensward in the shade of the great boughs; we
followed the rivulet to the hushed and shadowy solitude where it issued
from the moss-grown rock; wherever we bent our step the song of the sea
followed us, and the day was calm and cool as with its breadth and
freshness. The island had its own beauty; the beauty of virgin forests
and untrodden paths, of a certain fragrant sweetness gathered in years
of untroubled solitude, of a certain pastoral repose such as comes to
Nature when man is remote but that which gave us the thrill of
something strangely sweet and satisfying, something apart from the
world we had left, was not anything we saw with eye. All that was
visible was beautiful, but it was a loveliness not unfamiliar; it was
the invisible continually breaking in upon our consciousness that laid
us under a spell. We were conscious of something lovelier than we saw;
a world not to be discerned by sight, but real and unspeakably
beautiful to the soul. Even to Caliban the isle was "full of noises;"
"sounds and sweet airs that give delight" did not escape his brutish
sense. Sometimes "a thousand twangling instruments" hummed about his
ears; sometimes voices whose soft music was akin to sleep floated about
him; and sometimes the clouds "would open and show riches ready to drop
upon" him. There was a sweet enchantment in the air to which the
dullest could not be indifferent. It hovered over us like some finer
beauty, just beyond the vision of sense, and yet as real, almost as
tangible, as the things we touched and saw.
Alone as we were upon the little island, we felt the diviner world of
which that tiny bit of earth was part; we knew the higher beauty of
which all that visible loveliness was but a sign and symbol. The song
of the sea, breathed from we knew not what depths of space, was not
more real than this melody, haunting the island and dropping from the
air like blossoms from a ripening tree. Turn where we would, this
music went with us; it mingled with the murmur of the trees; it blended
with the limpid note of the rivulet; it melted with the breeze that
swept across the grassy places. All day, and for many another day, we
were conscious of a larger world of harmony and beauty folding in our
little world of tree and soil; we lived in it as freely and made it
ours as fully as the bit of earth beneath our feet. Through all our
talk this thread of melody was run, and our very thoughts were set to
this unfailing music. In those days the Poet wrote no verses; what
need of verse when poetry itself, that deep and breathing beauty of the
soul of things, filled every hour and overflowed all the channels of
thought and sense!
Public-domain text, read in full here on John Shaqi.
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