And yet we had been in the Forest several months before we even thought of books; so absorbed were we in the noble life of the place, in the inspiring society about us. There came a morning, however, when, as I looked out into the shadows of the deep woods, I recalled a wonderful line of Dante's that must have come to the poet as he passed through some silent and sombre woodland path. Suddenly I remembered that months had passed since we had opened a book; we whose most inspiring hours had once been those in which we read together from some familiar page. For an instant I felt something akin to remorse; it seemed as if I had been disloyal to friends who had never failed me in any time of need. But as I meditated on this strange forgetfulness of mine, I saw that in Arden books have no place and serve no purpose. Why should one read a translation when the original work lies open and legible before him? Why should one watch the reflections in the shadowy surface of the lake when the heavens shine above him? Why should one linger before the picturesque landscape which art has imperfectly transferred to canvas when the scene, with all its elusive play of light and shade, lies outspread before him? I became conscious that in Arden one lives habitually in the world which books are always striving to portray and interpret; that one sees with his own eyes all that the eyes of the keenest observer have ever seen; that one feels in his own soul all the greatest soul has ever felt. That which in the outer world most men know only by report, in Arden each one knows for himself. The stories of travellers cease to interest us when we are at last within the borders of the strange, far country. Books are, at the best, faint and imperfect transcriptions of Nature and life; when one comes to see Nature as she is with his own eyes, and to enter into the secrets of life, all transcriptions become inadequate. He who has heard the mysterious and haunting monotone of the sea will never rest content with the noblest harmony in which the composer seeks to blend those deep, elusive tones; he who has sat hour by hour under the spell of the deep woods will feel that spell shorn of its magical power in the noblest verse that ever sought to contain and express it; he who has once looked with clear, unflinching gaze into the depths of human life will find only vague shadows of the mighty realities in the greatest drama and fiction. The eternal struggle of art is to utter these unutterable things; the immortal thirst of the soul will lead it again and again to these ancient fountains, whence it will bring back its handful of water in vessels curiously carven by the hands of imagination. But no cup of man's making will ever hold all that fountain has to give, and to those who are really athirst these golden and beautifully wrought vessels are insufficient; they must drink of the living stream.