Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
The Grand Chamberlain traversed several anterooms, speaking to one
or the other of the senatorial guard, and on every face he read
consternation and fear. Little groups of priests stood together in
corners, whispering among each other; the whole of the Lateran was
aroused as by a secret dread. Such deeds, though they were known to
have occurred, were never spoken of, and the priests of the various
churches that had suffered desecration wisely kept their own counsel.
In this, the darkest age in the history of Rome, when crime and lust
and murder lurked in every corner, an outrage such as this struck every
soul with horror and awe. It was unthinkable, unspeakable almost,
suggesting dark mysteries and hidden infamies of Hell, which caused the
blood to run cold and the heart to freeze.
When Basil had made his way through the crowded corridors, receiving
homage, though men looked askance at him as he passed, he came to a
chamber usually reserved for a waiting room in times when the Pontiff
received foreign envoys or members of the priesthood and nobility; a
privilege from which the unfortunate prisoner in the Lateran was to be
forever debarred.
Basil entered this chamber, giving orders that he was to be in no wise
disturbed until he called and those outside heard him lock and bar the
door from within.
In the exact centre of the wall, reaching within two feet of the
ground, there was a large picture of St. Sebastian, barbarously painted
by some unknown artist.
Basil approached the picture and pressed upon the flat frame with all
his strength. There was a sudden click, a whirring, as of the wheels of
a clock. Then the picture swung inward, revealing a circular stairway
of stone, mounting upward. Without replacing the panel door, Basil
mounted the stairs for nearly a hundred steps, until he came to a door
upon which he beat with the hilt of his poniard.
An answering knock came from within, and the door opened. Basil entered
a small chamber, lighted from above by a window in a small dome.
A bat-like figure stood before a table covered with strange
manuscripts. As Basil entered, a thin black arm emerged from the
folds of the gown, which the inmate of the chamber wore. Then, with a
quick bird-like movement, an immensely thin hand twisted like a claw,
wrinkled, yellow and of incredible age, was stretched out toward the
newcomer.
On the second finger of this claw was a certain ring. Basil bent and
kissed the ring. There was another deft and almost imperceptible
movement. When the hand reappeared the ring was gone.
"It has been done?" Basil turned to the dark-robed form in bated
whispers.
The voice that answered seemed to come from a great distance. The lips
in the waxen face scarcely moved. They parted, that was all. Yet the
words were audible and distinct.
"It was done. Last night."
"You were not seen?"
"I wore the mask."
Public-domain text, read in full here on John Shaqi.
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