Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
By the side of the Grand Chamberlain, who was garbed in black from head
to toe, Theodora descended the steps that led from the raised platform
into the brilliant hall.
Greeting her guests with her inscrutable smile, she moved as a queen
through a crowd of courtiers, the changing lights of crimson and green
playing about her like living flame, her head, wreathed with jewelled
serpents, rising proudly erect from her golden mantle, her eyes
scintillating with a gleam of mockery which made them look so lustrous,
yet so cold.
Thus she strode towards the dais, draped in carnation-colored silks and
surmounted by an arch of ebony.
For the space of a moment she paused, surveying her guests. A film
seemed to pass over her eyes as her gaze rested upon one who had slowly
arisen and was facing her in white silence.
With a slight bend of the head Roxana acknowledged Theodora's silent
greeting; then, amidst loud shouts of acclaim she sank languidly upon
her couch, trying to soothe young Fabio, who had raised his fallen
goblet and held it out to a passing slave. The latter refilled it with
wine, which he gulped down thirstily, though the purple liquid brought
no color to his drawn and ashen cheek.
Theodora paid no heed to the youth's discomfiture, but Roxana's face
was white as death, and her lips were set as the lips of a marble mask
as she gazed towards the ebony arch, upon which the eyes of all present
were riveted.
With a rustle as of falling leaves Theodora's gorgeous mantle had
released itself from its jewelled clasps, and had slowly fallen on the
perfumed carpet at her feet.
A sigh quivered audibly through the hall, whether of joy, hope, desire
or despair it was difficult to tell. The pride and peril of matchless
loveliness was revealed in all its fatal seductiveness and invincible
strength. In irresistible perfection she stood revealed before her
guests in a robe of diaphanous silver gauze, which clung like a pale
mist about the wonderful curves of her form and seemed to float about
her like a summer cloud. Her dazzling white arms were bare to the
shoulders. A silver serpent with a head of sapphires girdled her waist.
Sinking indolently among the silken cushions of the dais, where she
gleamed in her wonderful whiteness like a glistening pearl, set in
ebony, Theodora motioned to her guests to resume their places at the
board.
She was instantly obeyed.
The Grand Chamberlain took what appeared to be his accustomed seat
at her right, the seat at her left remaining vacant. For a moment
Theodora's gaze rested thereon with a puzzled air, then she seemed to
pay no farther heed.
But a close observer might have noted a shade of displeasure on the
brow of the Grand Chamberlain, which no attempt at dissimulation could
dispel.
A triumphant peal of music, the clash of mingled flutes, hautboys,
tubas and harps rushed through the dome like a wind sweeping in from
tropical seas.
Basil turned to Theodora with a searching glance.
Public-domain text, read in full here on John Shaqi.
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