Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
This devil's kitchen was the portal to the Unseen, the shrine of the
Unknown, the observatory of the Past and the Future, and the laboratory
of the Forbidden. There were dim and mysterious mirrors, before which
stood brazen tripods whose fumes, as they wreathed upward, gleamed with
dusky fires. It was in these mirrors that the wizard could summon the
dead and the distant to appear darkly, in scarcely definable glimpses.
But he could also produce apparitions more vivid, more startling and
more beautiful. Once, in the dark depths of the chamber, Basil had
seen a woman's phantom apparition suddenly become strangely luminous,
her garments glowing like flames of many colors, that shifted and
blent and alternated in ceaseless dance and play, waving and trembling
in unearthly glory, till she seemed to be of the very flame herself.
The reflection of the world of shadows was upon her; its splendors
were wrapping her round like a mantle. He watched her with bated
breath, not daring to speak. And brighter, ever brighter, dazzling,
ever more dazzling, had grown the flaming phantom, till the wondrous
transfiguration reached the height of its beauty and its terror. Then
the phantom of murdered Marozia, evoked at his expressed desire from
the land of shadows, had faded, dying slowly away in the mysterious
depths of the mirror, as the fires that produced it sank and died in
white ashes.
There could be no doubt. It was the emissary of Darkness himself who
held forth in this dim, demon-haunted chamber where he had so often
listened to the record of his awful visions. He had made him see in
his dreadful ravings the great vaults of wrath, where dwelt the dread
power of Evil. He had made him see the King of the Hopeless Throngs
on his black basaltic throne in the terrific glare-illumined caves,
where Michael had cast him and where Pain's roar rises eternally night
and day. He had made him see the great Lord of the Doomed Shadows,
receiving the homage of those dreadful slaves, those terror-spreading
angels of woe whose hand flings destruction over the earth and sea and
air, while flames were fawning and licking his feet with countless
tongues.
And then he had shown to him a spirit mightier and more subtle than
any of those great wild destroyers who rush blindly through nature,
a spirit who starts in silence on her errand, whom none behold as,
creeping through the gloom, she undermines, unties and loosens all the
pillars of creation, with no more sign nor sound than a black snake in
the tangled grass, till with a thunder that stuns the world the house
of God comes crashing down--dread Hekaté herself.
Was there any crime he had left undone?
His subterranean prisons in which limbs unlearned to bend and eyes to
see concealed things whose screams would make the flesh of a ghost
creep, if flesh one had.
Public-domain text, read in full here on John Shaqi.
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