Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
"Look yonder, Father--where stand two forms that scan us eagerly. My
bewildered brain refuses me the knowledge I seek, yet I could vouch the
sight of them is somehow familiar to my eyes."
"That may well be," replied the monk. "For all this day long have
I been haunted by the consciousness that our movements are being
watched. Yet, I marvel not, for until Purgatory receive the soul of
this accursed wanton, there is neither peace nor security for us.
Her devilish hand may even now be informing all this dark plot, that
seethes about us," Odo of Cluny concluded in apprehensive tones.
Presently they drew near the great gateway, before which the flicker of
cressets showed a company of the guard, with breast plates and shields,
their faces hidden by the lowered visors of their Norman casks. Among
them they noted a wizened eunuch, who, after peering at them with his
ferret-like eyes, pointed to a door sunk in the wall, the while he
whispered something in Tristan's ear. Thereupon Odo and Tristan entered
the guard chamber.
It was deserted.
Beneath the cressets' uncertain gleam, as they emerged beyond, stood
the eunuch with the same ferret-like glance, pointing across the dim
passage, to, where could be made out the entrance to a gallery. The
group behind them stood immobile in the flickering light and the space
about them was naught but a shadowy void. Yet, as they went, their
ears caught the clink of unseen mail, the murmur of unseen voices, and
Tristan gripped the monk's arm and said in husky tones:
"By all the saints,--we are fairly in the midst of Basil's creatures.
An open foe I can face without shrinking, but I tell you this peril,
ambushed in impenetrable night, saps my courage as naught else would.
If but one battle-cry would shatter this numbing silence, one simple
sword would flash, as it leaps from its scabbard, I should be myself
again, ready to face any foe!"
They entered the half gloom of a painted gallery where dog-headed
deities held forth in grotesque representation beside the crucified
Christ. They stole along its whole deserted length until they reached
a door, hardly discernible in the pictured wall. The lamps burned low,
but in the centre of the marble floor a brazier sent up a brighter
flame, filling the air with a fragrance as of sandal wood.
Tristan's hand groped for a spring along the outer edge of the door.
At his touch a panel receded. Both he and the monk entered and the
door closed noiselessly behind them. Tristan produced a candle and
two flints from under his coat of mail. But ere he could light it by
striking the flints, the approach of a dim light from the farther end
of the tortuous gallery caused him to start, and both watched its
approach with dread and misgiving.
Soon a voice fell on their ear, answered by another, and Tristan
swiftly drew his companion into a shadowy recess which concealed them
while it yet enabled them to hear every word spoken by the two.
Public-domain text, read in full here on John Shaqi.
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