Under the Witches' Moon: A Romantic Tale of Mediaeval RomeGallizier, Nathan
History
Under the Witches' Moon: A Romantic Tale of Mediaeval Rome
Gallizier, Nathan
Rome (Italy) -- History -- 476-1420 -- Fiction
At last the sunset came. The ashen color of the olive trees flashed out
into silver. The mountain peaks of distant Alba became faintly flushed
and phantom fair as, in a tempest of fire, the sun sank to rest. The
forests of ilex and arbutus on the Janiculum Hill seemed to tremble
with delight as the long red heralds touched their topmost boughs. The
whole landscape seemed to smile farewell to departing day.
As she sat there, Hellayne's attention was attracted to a woman who had
paused near the river's edge. There was nothing remarkable either in
her carriage or apparel. It was a wrinkled hag, swart, snake-locked,
cowled, her dress jingling with sequins, her right hand clawed upon a
crooked staff. She appeared, in fact, just an old Levantine hoodie-crow
of the breed which was familiar enough in Rome in those cataclysmic
days, when all sorts of queer, tragic fowl were being driven northward
from over seas before the tidal wave of invading Islam. Her speech as
well as her manners and dress betrayed Oriental origin.
As she hobbled up to where Hellayne was seated she stopped and asked
some trifling question about her way, which Hellayne pointed with some
hesitation, explaining that she was herself a stranger in Rome, and
knew not the direction of the city.
The old crone seemed interested.
"In yonder cloister--yet not of it?" she queried, pointing with the
crooked staff to the convent walls that towered darkly behind them in
the evening dusk.
Her penetration startled Hellayne.
"How did you guess, old mother?" she queried with a look of awe, which
was not unremarked by the other.
"Ay--there is lore enough under these faded locks of mine to turn the
foulest cesspool in Rome as clear as crystal, or to change this staff
whereon I lean into a thing that creeps and hisses," she said with a
low laugh.
Hellayne shrank back from her with a gesture of dismay. Believing
implicitly in their power, she felt a deadly fear of those who
professed the black arts.
The old woman read her thoughts.
"My daughter," she said, "be not afraid of the old woman's secret
gifts. Mine is a harmless knowledge, gained by study of the scrolls of
wise men, in my own native land. Fear not, I say, for I, who have pored
over those mystic characters till me eyes grew dim, can read your sweet
pale face as plainly as the brazen tablets in the Forum, and I can see
in it sorrow and care and anxiety for one you love."
Hellayne gave a start.
It was true! But how had the old crone found it out! She glanced
wistfully at her companion, and the latter, satisfied she was on the
right track, proceeded to answer that questioning glance.--
"You think he is in danger, or in grief," she continued mysteriously,
"and you wonder why he does not come. What would you not give, my poor
child, to see him this very moment--to look into his face--his eyes.
And I can show him to you, if you will. I am not ungrateful, even for a
slight service."
Public-domain text, read in full here on John Shaqi.
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