Underground: Hacking, madness and obsession on the electronic frontierDreyfus, Suelette
Science
Underground: Hacking, madness and obsession on the electronic frontier
Dreyfus, Suelette
Computer crimes -- Australia; Computer hackers -- Australia -- Biography; Computer security -- Australia
Electron knew that particular Phoenix `yeah'--the one which said `yes'
but meant `no, and I don't want to own up to it either so let's drop
it'.
Electron made it a habit not to believe most of the things Phoenix
told him. Unless there was some solid proof, Electron figured it was
just hot air. He didn't actually like Phoenix much as a person, and
found talking to him difficult at times. He preferred the company of
his fellow hacker Powerspike.
Powerspike was both bright and creative. Electron clicked with him.
They often joked about the other's bad taste in music. Powerspike
liked heavy metal, and Electron liked indie music. They shared a
healthy disrespect for authority. Not just the authority of places
they hacked into, like the US Naval Research Laboratories or NASA, but
the authority of The Realm. When it came to politics, they both leaned
to the left. However, their interest tended more toward
anarchy--opposing symbols of the military-industrial complex--than to
joining a political party.
After their expulsion from The Realm, Electron had been a little
isolated for a time. The tragedy of his personal life had contributed
to the isolation. At the age of eight, he had seen his mother die of
lung cancer. He hadn't witnessed the worst parts of her dying over two
years, as she had spent some time in a German cancer clinic hoping for
a reprieve. She had, however, come home to die, and Electron had
watched her fade away.
When the phone call from hospital came one night, Electron could tell
what had happened from the serious tones of the adults. He burst into
tears. He could hear his father answering questions on the phone. Yes,
the boy had taken it hard. No, his sister seemed to be OK. Two years
younger than Electron, she was too young to understand.
Electron had never been particularly close to his sister. He viewed
her as an unfeeling, shallow person--someone who simply skimmed along
the surface of life. But after their mother's death, their father
began to favour Electron's sister, perhaps because of her resemblance
to his late wife. This drove a deeper, more subtle wedge between
brother and sister.
Electron's father, a painter who taught art at a local high school,
was profoundly affected by his wife's death. Despite some barriers of
social class and money, theirs had been a marriage of great affection
and love and they made a happy home. Electron's father's paintings
hung on almost every wall in the house, but after his wife's death he
put down his brushes and never took them up again. He didn't talk
about it. Once, Electron asked him why he didn't paint any more. He
looked away and told Electron that he had `lost the motivation'.
Public-domain text, read in full here on John Shaqi.
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