Underground: Hacking, madness and obsession on the electronic frontierDreyfus, Suelette
Science
Underground: Hacking, madness and obsession on the electronic frontier
Dreyfus, Suelette
Computer crimes -- Australia; Computer hackers -- Australia -- Biography; Computer security -- Australia
Like their predecessors, the three IS hackers had started out in the
Melbourne BBS scene. Mendax met Trax on Electric Dreams in about 1988,
and Prime Suspect on Megaworks, where he used the handle Control
Reset, not long after that. When he set up his own BBS at his home in
Tecoma, a hilly suburb so far out of Melbourne that it was practically
in forest, he invited both hackers to visit `A Cute Paranoia' whenever
they could get through on the single phone line.
Visiting on Mendax's BBS suited both hackers, for it was more private
than other BBSes. Eventually they exchanged home telephone numbers,
but only to talk modem-to-modem. For months, they would ring each
other up and type on their computer screens to each other--never
having heard the sound of the other person's voice. Finally, late in
1990, the nineteen-year-old Mendax called up the 24-year-old Trax for
a voice chat. In early 1991, Mendax and Prime Suspect, aged seventeen,
also began speaking in voice on the phone.
Trax seemed slightly eccentric, and possibly suffered from some sort
of anxiety disorder. He refused to travel to the city, and he once
made reference to seeing a psychiatrist. But Mendax usually found the
most interesting people were a little unusual, and Trax was both.
Mendax and Trax discovered they had a few things in common. Both came
from poor but educated families, and both lived in the outer suburbs.
However, they had very different childhoods.
Trax's parents migrated to Australia from Europe. Both his father, a
retired computer technician, and his mother spoke with a German
accent. Trax's father was very much the head of the household, and
Trax was his only son.
By contrast, by the time he was fifteen Mendax had lived in a dozen
different places including Perth, Magnetic Island, Brisbane,
Townsville, Sydney, the Adelaide Hills, and a string of coastal towns
in northern New South Wales and Western Australia. In fifteen years he
had enrolled in at least as many different schools.
His mother had left her Queensland home at age seventeen, after saving
enough money from selling her paintings to buy a motorcycle, a tent
and a road map of Australia. Waving goodbye to her stunned parents,
both academics, she rode off into the sunset. Some 2000 kilometres
later, she arrived in Sydney and joined the thriving counter-culture
community. She worked as an artist and fell in love with a rebellious
young man she met at an anti-Vietnam demonstration.
Within a year of Mendax's birth, his mother's relationship with his
father had ended. When Mendax was two, she married a fellow artist.
What followed was many turbulent years, moving from town to town as
his parents explored the '70s left-wing, bohemian subculture. As a
boy, he was surrounded by artists. His stepfather staged and directed
plays and his mother did make-up, costume and set design.
Public-domain text, read in full here on John Shaqi.
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