Une Vie, a Piece of String and Other StoriesMaupassant, Guy de
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Une Vie, a Piece of String and Other Stories
Maupassant, Guy de
Short stories, French -- Translations into English
All day he talked of his adventure. He told it on the roads to the
people who passed, at the cabaret to the people who drank and next
Sunday when they came out of church. He even stopped strangers to tell
them about it. He was easy now, and yet something worried him without
his knowing exactly what it was. People had a joking manner while they
listened. They did not seem convinced. He seemed to feel their remarks
behind his back.
On Tuesday of the following week he went to market at Goderville,
prompted solely by the need of telling his story.
Malandain, standing on his doorstep, began to laugh as he saw him
pass. Why?
He accosted a farmer of Criquetot, who did not let him finish, and
giving him a punch in the pit of the stomach, cried in his face: "Oh,
you great rogue!" Then he turned his heel upon him.
Maître Hauchecorne remained speechless and grew more and more uneasy.
Why had they called him "great rogue"?
When seated at table in Jourdain's tavern he began again to explain
the whole affair.
A horse dealer of Montivilliers shouted at him:
"Get out, get out, you old scamp! I know all about your old string."
Hauchecorne stammered:
"But since they found it again, the pocketbook!"
But the other continued:
"Hold your tongue, daddy; there's one who finds it and there's another
who returns it. And no one the wiser."
The farmer was speechless. He understood at last. They accused him of
having had the pocketbook brought back by an accomplice, by a
confederate.
He tried to protest. The whole table began to laugh.
He could not finish his dinner, and went away amid a chorus of jeers.
He went home indignant, choking with rage, with confusion, the more
cast down since with his Norman craftiness he was, perhaps, capable of
having done what they accused him of and even of boasting of it as a
good trick. He was dimly conscious that it was impossible to prove his
innocence, his craftiness being so well known. He felt himself struck
to the heart by the injustice of the suspicion.
He began anew to tell his tale, lengthening his recital every day,
each day adding new proofs, more energetic declarations and more
sacred oaths, which he thought of, which he prepared in his hours of
solitude, for his mind was entirely occupied with the story of the
string. The more he denied it, the more artful his arguments, the less
he was believed.
"Those are liars' proofs," they said behind his back.
He felt this. It preyed upon him and he exhausted himself in useless
efforts.
He was visibly wasting away.
Jokers would make him tell the story of "the piece of string" to amuse
them, just as you make a soldier who has been on a campaign tell his
story of the battle. His mind kept growing weaker and about the end of
December he took to his bed.
He passed away early in January, and, in the ravings of death agony,
he protested his innocence, repeating:
"A little bit of string--a little bit of string. See, here it is,
M'sieu le Maire."
Public-domain text, read in full here on John Shaqi.
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